Daria 2: The Curse of the Misery Chick:
Script,
part 1
Credits
Script,
part 2
Pictures
Reviews
Commercial
1 BLACK.
SUPER: TOUCHSTONE PICTURES
Music: Offspring's "The Kids Aren't Alright".
2 CUT TO: A RUNWAY.
AMY BARKSDALE-MORGENDORFFER and KEITH MORGENDORFFER in skydiving gear kiss and get onto a plane.
SUPER: IN ASSOCIATION WITH MTV PRESENTS
3 INT. HIGHLAND HIGH SCHOOL, CLASSROOM.
DARIA MARIE MORGENDORFFER is sitting at her desk among a full classroom, with her looking more bored than most. DARIA, daughter of AMY and KEITH, is a sixteen-year-old, beautiful but unaware of it. Dressed in black and gray, in shiny black leather boots, she holds her body stiffly, with an almost masculine walk; her face expresses little but dismay, tensely held. She is wearing reading glasses. We slowly turn to show DAVID VAN DRIESSEN, the history teacher, a blond hippie with glasses and a tie-dyed T-shirt with a peace symbol on it. He lectures with his hands making exaggerated gestures. When the camera returns to DARIA, it can be seen that she has been doodling a picture of Edvard Munch's "The Scream".
4 CUT TO: THE RUNWAY.
The plane takes off and soon gains altitude.
SUPER: A JOEL SCHUMACHER FILM
5 EXT. HIGHLAND HIGH, FRONT YARD.
In front of the school various students are scattered about, enjoying their lunches and talking with each other. DARIA is sitting on the front steps, trying to read Stanislaw Lem's The Star Diaries. LOLITA FISCHER and TANQUERAY XAVIER, two students dressed loudly to advertise they are cheap, come down the steps, banging into DARIA as they come past her. DARIA flashes a dirty look in their direction and goes back to reading.
6 CUT TO: INT. THE PLANE.
AMY and KEITH move into position to make a jump.
SUPER: JENNIFER LOVE HEWITT
7 INT. HIGHLAND HIGH, CLASSROOM.
Another full class with DARIA in it, this time taught by J. E. B. "BUZZCUT" JUDGE, a short-tempered, loud ex-marine, seemingly always angry, who teaches language arts. A bunch of names from William Shakespeare's Hamlet are on the board. BUZZCUT is lecturing, but DARIA does not seem to be paying attention. BUZZCUT launches a tirade at DARIA, who then shows him a tablet computer (superficially resembling a PADD from Star Trek: The Next Generation or a large Palm Pilot), on which she has made out a table showing the interrelationships among all the major characters. BUZZCUT looks flabbergasted.
Note: This movie takes place about 2020. Therefore, throughout this movie, people use tablet and palmtop computers frequently instead of paper and pencil.
8 CUT TO: EXT. THE AIRPLANE.
AMY and KEITH leap out.
SUPER: CHRISTINA RICCI
9 INT. HIGHLAND HIGH, HALLWAY.
The hallway, painted and tiled to resemble an insane asylum, is empty except for the principal, PETER MCVICKER, a large, sweaty man, always exceedingly stressed-out who is moving down it. Suddenly a bell rings and students race out of the classrooms and through the hallways en masse in the opposite direction, apparently due to the bell ringing for the end of the day; they nearly run over MCVICKER, who is visibly upset. DARIA, now glassesless, follows the group at a leisurely pace. As she passes MCVICKER, she glances at him, her tongue sticking out slightly.
10 CUT TO: THE SKY.
AMY and KEITH fall towards the ground.
SUPER (LARGE): DARIA
11 CUT TO: EXT. HIGHLAND HIGH SCHOOL.
Among the students coming out is DARIA.
12 CUT TO: THE SKY.
AMY and KEITH are skydiving, now with their parachutes open.
SUPER: KERI RUSSELL
13 CUT TO: INT. A SCHOOL BUS.
The bus is clearly moving down a street, and DARIA and many other students are in it. She is not interacting with the other students.
SUPER: JAKOB DYLAN
14 CUT TO: EXT. THE SCHOOL BUS.
The bus stops, and DARIA and a few other students get off.
15 CUT TO: THE SKY.
More skydiving.
16 CUT TO: EXT. A NEIGHBORHOOD IN HIGHLAND
DARIA is walking. She is accosted by BEAVIS JONES and CORNELIUS "BUTT-HEAD" SMITH. BEAVIS is the young, idiotic star of a Net show (Beavis and Butt-Head's Sucky Show), with a Metallica T-shirt and a lot of blond hair. BUTT-HEAD is his co-star, with a lot of brown hair combed straight up and wearing an AC/DC T-shirt. Both giggle incessantly and look like they have the maturity and values of oversexed adolescent boys just given testosterone injections and subjected to watching six hours of porno movies. DARIA walks around them.
SUPER: DENISE RICHARDS
17 CUT TO: THE SKY.
More skydiving.
18 CUT TO: THE STREETS OF HIGHLAND.
DARIA encounters STEWART STEVENSON, a twerpy-looking character in a Winger T-shirt. STEWART greets DARIA, and she replies. They separate amiably.
DARIA encounters TODD BOOLE, a scruffy, thuggish individual with the strength of an ox and the brain-power of an earthworm.
SUPER: WRITTEN BY AKIVA GOLDSMAN
TODD apparently propositions DARIA, who knees him between the legs for his troubles.
19 CUT TO: THE STREETS OF HIGHLAND.
DARIA enters a house, presumably hers.
SUPER: PRODUCERS: PETER MACGREGOR-SCOTT AND PATRICE LEDOUX
20 THE SKY.
KEITH and AMY skydiving.
21 PAN DOWNWARDS TO: A HERD OF COWS.
22 ZOOM IN: ON A SINGLE COW'S HORNS BELOW.
Two human-shaped shadows fall upon the cow, growing larger and larger.
23 SMASH CUT TO: BLACK.
A blood-curdling moo is heard.
24 FADE TO: EXT. SAME HOUSE--LATER IN THE EVENING.
A police car pulls up to the curb, and an officer gets out.
The officer heads towards the front door.
25 CUT TO: EXT. THE ZEN.
The Zen is a student-frequented coffeehouse in Lawndale, not particularly clean. Music is coming from inside.
SUPER: EXECUTIVE PRODUCERS: DINO DE LAURENTIIS AND ROLAND JOFFE
26 CUT TO: INT. THE ZEN.
The Zen is not particularly clean on the inside, either. On stage, Mystic Spiral (a rock band composed of students) is performing the music, finishing up a song. The singer and lead guitarist is TRENT LANE. He is accompanied instrumentally by his sister JANE ANNE LANE (electric bass), JESSE MORENO (rhythm guitar), and ANDREA FLYNN (drum pads).
TRENT is a nineteen-year-old. (He was held back a few times.) Typically muted in expression, his clothes are usually plain but his hair in disarray and with three earrings in each ear and Maori tattoos on his arms. His voice is low, his movements often sluggish, but there is a fire in his eyes, one that allows him to explode into action when music or situation demands it.
JANE is a sixteen-year-old. Expressive and sensual, dark and mysterious. Wears dark clothing, a red leather jacket, and knee-high black boots, sports three earrings in each ear. Her eyes move probingly when she looks at something, always noting details, her hands always moving with precision.
JESSE is a seventeen-year-old. Typically quiet and reserved, plain clothes, but strong.
ANDREA is a seventeen-year-old. Always in all black, with long, jet-black hair, a Goth, complete with white makeup and red lipstick, projecting sex and ruthlessness at the same time.
The audience consists of high school and college students. As Mystic Spiral finishes, the audience applauds.
SUPER: CO-PRODUCERS: KATHLEEN KENNEDY AND JERRY MOLEN
TRENT
Thank you, all. You've been a great audience. Good night.
SUPER: ASSOCIATE PRODUCERS: COLIN WILSON AND JERRY WEINTRAUB
The band starts to pack up their equipment.
Bananarama's "Venus" begins playing. LYNN QUINN MICHAELIS, a perky sixteen-year-old who prefers to be called by her middle name, enters. Her movements are shown in slow motion as she confidently approaches the stage, TRENT virtually staring at her. There is a sparkle in her eye and a bit of a fiendish smile on her face as her mane of blond hair flows about her face and her thoracic endowments bounce within her pink baby tee. Fade out music.
JANE
(sarcastically)
Great. L. Quinn Michaelis.
QUINN
Hello, Trent.
TRENT
Uh, hi, Quinn.
SUPER: DIRECTED BY JOEL SCHUMACHER
QUINN
I really enjoyed tonight's performance. That last song was amazing.
TRENT
It's nothing, really. Just a bunch of ramblings I patched together.
QUINN
On the contrary, it was a hauntingly beautiful expression of the loneliness of human existence.
(beat)
You know, I can help you overcome that problem.
TRENT
Well--
JANE approaches.
SUPER: CINEMATOGRAPHY BY THIERRY ARBOGAST
JANE
Yo, Trent. Can I have a word with you for a moment?
TRENT
Sure.
JANE and TRENT rejoin the other members of the band.
JANE
What did we tell you about Quinn Michaelis?
SUPER: PRODUCTION DESIGN BY ANTHONY MASTERS
TRENT
(his heart not in it)
She's bad news.
JANE
Well, remember that! You know how many relationships she's wrecked?
TRENT
That's just a rumor.
SUPER: COSTUME DESIGN BY INGRID FERRIN AND BOB RINGWOOD
JESSE
It's not just a rumor. She's tried coming between me and Jane.
ANDREA
She's as bad as Sandi, the original icebox woman. She's already stolen all my prospects this semester--except for you.
(beat)
Are you sure you don't--
TRENT
I've told you a thousand times, Andrea, we're just not compatible.
ANDREA
Hmph! Just stay away from the little tramp. She deserves to suffer.
SUPER: COSTUME DESIGN FOR MS. HEWITT BY ROBERT TURTURICE
JESSE
Yeah!
TRENT
Who do you think you people are? My mother?
JANE
Mom would never lecture you to stay away from Quinn.
TRENT
Exactly.
SUPER: COSTUME DESIGN FOR MS. RICCI BY ANTHONY POWELL
JANE
Fine. Go ahead and date Quinn. She'll just suck your blood out like Sandi did.
TRENT
(shuddering)
That's a scary thought.
JANE
Well, think long and hard, young man. It's about time you started thinking with your brain.
SUPER: CASTING BY MALI FINN
TRENT sighs and walks back towards QUINN.
TRENT
Sorry, Quinn. I've got family stuff to take care of tonight.
QUINN
But--
TRENT
Sorry.
SUPER: FILM EDITING BY DENNIS VIRKLER
TRENT walks away from QUINN. QUINN turns to leave herself when she is confronted by SANDI D. GRIFFIN. SANDI is a sixteen-year-old, beautiful but obviously cunning, with piercing eyes. She is always stylishly dressed, always looking immaculate, strutting confidently, an obvious danger.
SANDI
Quinn, haven't we talked about your problem before?
QUINN
What problem?
SUPER: BASED ON THE MTV CARTOON SERIES DARIA
SANDI
Your relentless pursuit of Trent. It is in extremely bad taste for you to actively pursue him. You should be making him pursue you.
QUINN
He's different from most other guys, and that means he requires a different approach.
SANDI
Your "innovation" comes close to desperation, Quinn. Make sure you don't cross over that thin line. The Fashion Club has standards that must be adhered to.
(walks away from QUINN and meets with TOMMY SHERMAN)
TOMMY is an eighteen-year-old. Star football player. Arrogant, stupid, prone to outbursts of violence. Blindly faithful to SANDI.
SANDI
Ready to go, Tommy?
TOMMY
(as he and SANDI walk away)
I know this nice, quiet place not too far from McGrundy's...
27 INT. A LEXUS ON THE INTERSTATE--DAYTIME.
HELEN K. BARKSDALE-MICHAELIS (AMY's sister, QUINN's mother, shotgun), JAKE MICHAELIS (HELEN's husband, QUINN's father; driving), and QUINN (back-seat) are present. HELEN is a workaholic lawyer with periodic episodes of conscience over ignoring her family; she has a deep-seated need to dominate others. JAKE is a conservative consultant who becomes easily distressed at anything from outside his own private world; he is fairly gullible and changes his beliefs, once adopted, slowly, even in the face of overwhelming contrary evidence. HELEN and JAKE are dressed for a funeral; QUINN, though in black, is dressed too fashionably for the occasion; she is also wearing what are apparently sunglasses.
JAKE
I can't believe your weird sister and her husband would do something so stupid, Helen!
HELEN
Jake, there's not much we can do about it now. How were they supposed to know such a freak accident would happen? All we can do now is be supportive of Daria in this time of crisis.
QUINN
What's she like these days, anyway? We haven't seen her in about five or six years.
JAKE
Well, would you want to get near your weird sister-in-law? She tried to make us eat crickets!
HELEN
Jake!
(beat)
I talked to Rita about her on the phone. She said that Daria is very intellectual, a straight-A student, and has a position on the school paper at Highland High as fashion editor.
QUINN
Sounds like she may even have improved. We should get along nicely then.
28 INT. THE LANE HOUSE, HALLWAY RIGHT OUTSIDE TRENT'S ROOM.
Exit ANDREA from TRENT's room, barely dressed and without her Goth makeup, soon followed by a barely dressed TRENT, his shirt unbuttoned and hanging open in front.
TRENT
I'm sorry, Andrea, but this off-again, on-again relationship doesn't work.
ANDREA
It would if you wanted it to!
They proceed towards the kitchen, us following them.
TRENT
It's just
(beat)
I can't live on an emotional roller-coaster. With you it's either ecstasy or depression and nothing in between. And when I can't deliver ecstasy continually, you get mad.
They enter the kitchen.
ANDREA
Can't take the pressure?
TRENT
(smacking a counter)
Yes! I can't go full tilt all night, every night! No man can!
ANDREA
Then why bother doing it with me last night?
TRENT
I'm human, I'm susceptible to temptation, and I make stupid mistakes. And you're the same way.
ANDREA clearly wants to make a snappy retort but can't think of one, so she picks up a vase with flowers in it and throws it at TRENT. TRENT ducks as ANDREA leaves through the back door.
29 A MEETING ROOM.
Many relatives of AMY and KEITH are present: DARIA (dressed all in black, looking especially grim) JAKE, HELEN, QUINN, RITA BARKSDALE-CHAMBERS (AMY's other sister), PAUL CHAMBERS (RITA's husband), the latter two's children ERIN and LURMAN, and ERIN's boyfriend BRIAN DANIELSON (along for moral support, dressed like a Man in Black). LURMAN is a big fan of King Solomon's philosophy and considers much of human behavior preposterous; he always speaks in a monotone; among all the people in the room, he is the only one who really understands DARIA. All present are wearing dark clothes, looking morose, and talking quietly among themselves.
DARIA
(to LURMAN)
Great. Not only do I have to go through the suffering of losing both of my parents in a freak accident--as a result of their trying to make an affirmation of life on their twentieth wedding anniversary--but now I'm stuck with having to move in with an aunt and uncle and a cousin I don't even like.
LURMAN
Look on the bright side, Daria. If you get stuck with my parents, at least we'll be able to team up against Erin immediately. And Erin will probably marry her boyfriend Brian soon, so she'll move out and it'll be just us.
DARIA
And what's the bright side if I get stuck with Helen and Jake?
QUINN
(approaches DARIA)
Daria? Is that you?
DARIA
No, it's a hologram.
QUINN
But you look so
(beat)
drab.
DARIA
So? You look overdressed for the occasion. Going to a cocktail party after this?
QUINN
You were a lot more fashionable the last time we met. What Aunt Rita told my mom about you being the fashion editor of your school paper has to be a mistake.
DARIA
It's not. I got stuck with the job because I'm the only female on staff. As for me not being fashionable now, if you haven't noticed, we were just at my parents' funeral.
QUINN
But you could still dress with a little style.
DARIA
Where would I find the time today to do that with my busy schedule? Besides the funeral and meeting to discuss all the legal mumbo-jumbo, I'm building a replica of the Washington Monument from popsicle sticks and cleaning the oil off of a hundred baby seals.
QUINN
Ugh!
(walks away)
LURMAN
Could be worse. She could be a pure fashion-freak rather than one who at least knows something.
DARIA
Wait until she finds out what I did with that pink, frilly dress of mine she liked so much.
Enter ERIC SCHAEFFER, a lawyer in an expensive suit.
ERIC
Excuse me. May I have your attention, please?
Everyone quiets down.
ERIC
I'm Eric Schaeffer, Keith and Amy Morgendorffer's attorney. Our first order of business is the custody of Daria Marie Morgendorffer. According to the official documentation,
(pulls out several papers and reads)
"In the event of their untimely death, neither of them surviving, they would prefer that none of their siblings get custody of Daria. Keith has been blessed in this respect, being an orphan. Amy is not so fortunate, being cursed with two sisters who are total and utter jerks. But since they have to choose, and since Rita is a ditz and her husband Paul is money-grubbing scum, they choose the lesser of the two evils and grant custody to Helen--also known as 'the Obsessive-Compulsive Controlling Lawyer'--and her husband Jake--otherwise known as 'the Complete Doofus'."
LURMAN
(to DARIA)
You are now entering Hell.
DARIA
(to LURMAN)
Please keep your hands and feet inside the car.
30 INT. THE MICHAELIS HOUSE, LIVING ROOM.
Enter JAKE, HELEN, QUINN, and DARIA through the front door, everyone carrying at least one piece of luggage. JAKE is groaning under the weight of a heavy trunk.
JAKE
Oh, man! Daria, what did you put inside this trunk?
DARIA
Only my collection of lead bricks.
QUINN
What's with the sarcasm? Have you turned into a total geek since the last time I saw you?
HELEN
Quinn!
QUINN
Sorry, Mom. It's a valid question.
JAKE
Let's just get this stuff upstairs. I'm tired and want to go to bed...
31 INT. THE MICHAELIS HOUSE, UPSTAIRS HALLWAY.
Enter same characters coming up the staircase.
JAKE
(struggling with the trunk)
Ow! I think I hurt something in my back.
DARIA
We'll get you a new one for your birthday.
(looks inside the first room on the left)
Hey! What's in here?
(turns on light, revealing a padded room with bars in the windows)
Cool.
QUINN
It's just the room where Grandma Ruth spent the last few years of her life as an elderly shut-in. It gives me the creeps.
HELEN
Jake and I haven't gotten around to redecorating it yet. You can use the guest room at the other end of the hall.
DARIA shrugs. DARIA and the Michaelises move down to the other end of the hall to the guest room. DARIA flicks on the light and looks in on a perfectly normal boring room.
DARIA
I'd rather have the other room. It suits my personality better.
QUINN
But it's so
(beat)
warped!
DARIA
What better for an acknowledged cynic?
JAKE groans.
HELEN
Are you really sure?
DARIA
Positive. My anatomically correct plastic skull and poster of Dante's skeleton being dug up don't go at all with the wallpaper and the drapes.
(to JAKE)
Don't worry; I'll drag my trunk all the way to the other end of the hall.
JAKE
Thank you!
(exits)
HELEN
If that's what you want. Just call us if there's anything you need.
(exits carrying whatever bags are in her hands)
QUINN
What happened to you? You used to be this happy kid, but now, you're
(beat)
scary. Is this some sort of reaction to your parents' death?
DARIA
Believe me: I've been like this for years.
QUINN
What happened to the star of the dance recital?
DARIA
Have you ever heard of Beavis and Butt-Head?
QUINN
You know I've met them.
DARIA
Try being around them day after day for years on end. Sooner or later, they'll turn you into a pessimist, too.
(grabs the trunk and exits)
32 INT. JAKE'S LEXUS.
JAKE is driving DARIA and QUINN to school. DARIA is wearing the outfit she wore back in Highland. QUINN is wearing "sunglasses".
JAKE
I know that going to a new school can be a stressful experience, Daria--
DARIA rolls her eyes.
JAKE
--but we're all here to help you get through it.
QUINN
Don't worry; we'll have you settled in in no time. You'll be out of your funk and wearing something colorful before you know it.
DARIA
It's been only a week since my parents' death--a very slow week--and already you expect me to be finished mourning. That's a little much, even from a progidy.
QUINN
Not literally no time. Lawndale High isn't so bad; the teachers are easy to manipulate. Half are spineless pushovers; the rest are wackos who haven't a clue what anyone's saying anyway.
DARIA
Just what I need: teachers less-educated than I am. That's a great way to learn anything. I should have taken that offer from the Grove Hills School for the Gifted when I had the chance. I don't suppose the students here are also shallow and snobbish?
QUINN
The other students at Lawndale High are nothing like that.
DARIA
That's easy; as long as they're not suffering from lead poisoning, they'll be at least smarter than most of the people in Highland.
QUINN
(trying to be supportive)
If you need any help learning the ropes, just ask.
The car pulls up at the curb by Lawndale High School, where SANDI, STACY ROWE, TIFFANY BLUM-DECKLER, and several other students are standing. STACY is a sixteen-year-old, a perky brunette, but always nervous, as if expecting predators to strike at any moment. TIFFANY is a seventeen-year-old, pretty but tense, with an almost mechanical quality, a babe with the spirit of a general, always looking for the advantage. DARIA and QUINN get out of the car.
SANDI
Hey, Quinn! Who's that?
QUINN
My cousin Daria.
(whispers)
Her parents fell onto a cow. Fashion trauma.
Many of the students shudder.
STACY
(to DARIA)
It'll pass--I think.
DARIA
(to JAKE)
I'm sure Quinn will be a real help.
(shuts car door)
33 INT. LAWNDALE HIGH SCHOOL, HALLWAY.
Music: Garbage's "Push It".
DARIA is walking through the halls, seeing lots of the student body. ANTON PAVLOV, the custodian, is waxing the floor. DARIA stares at TRENT, getting stuff out of his locker, in attraction as she walks by. Groups in the hallways: 1) AXL GOMPERTZ and ANDREA arguing passionately, 2) JANE and JESSE kissing, 3) KEVIN THOMPSON and BRITTANY TAYLOR sucking face, 4) JOEY HENDERSON, JEFFY LANDERS, and JAMIE WHITE (AKA the 3 Js) talking, 5) TOMMY SHERMAN and BROOKE BENFORD arguing with MICHAEL JORDAN "MACK" MACKENZIE and JODIE LANDON, 6) CHARLES "UPCHUCK" RUTTHEIMER III trying to shove ARTIE WILCOX into a locker and getting kicked for it by HEATHER LOCKHEED and MONIQUE MARTIN, 7) COREY RICHARDS, EVAN MENTEN and ROBERT B. HEAD laughing as TED DEWITT-CLINTON just stands there yawning, 8) SANDI, QUINN, STACY, and TIFFANY (AKA the Fashion Club) discussing what they're wearing. DARIA finally reaches the right room.
PAVLOV is a quiet man, a Russian immigrant. He has a passion for cleanliness and hates it when people walk over an area of floor he has just cleaned.
AXL is an eighteen-year-old. Heavy metal guitarist. Way too many tattoos. Bad attitude. Oozes disgust.
KEVIN is a seventeen-year-old. Football player. Some semblance of muscles. Obviously stupid, probably from the cumulative effects of ramming his head into things many times, oblivious, insensitive, and self-centered.
BRITTANY is a seventeen-year-old. Cheerleader, appearing pathologically naïve and upbeat, but prone to violent outbursts if crossed. A complete bimbo. Blue belt in karate. Sounds squeaky and slightly drugged.
JOEY, JAMIE, and JEFFY are seventeen-year-olds. Football players. Not particularly bright and fairly interchangeable.
BROOKE is a seventeen-year-old. Cheerleader, obsessed with her appearance. Very insecure since that botched nose-job.
MACK is a sixteen-year-old. Football player. African-American. No hair. Much smarter than the rest of the team. Hates KEVIN.
JODIE is a sixteen-year-old. President of the student council. African-American. Obsessive-compulsive about doing well academically.
UPCHUCK is a sixteen-year-old. Always dressed stylishly, red-haired and bearing a grin, trying to portray himself as suave and sophisticated but often coming off as an irritant. Highly creative, intelligent, and libidinous. Black belt in karate, but unable to take even defensive action against any female he's interested in.
ARTIE is a sixteen-year-old. Stereotypical geek. Believes he was abducted by space aliens.
HEATHER is a seventeen-year-old. Mischievous outcast. Likes to incite riots, stand back, and watch the fur fly. Wears only grayscale.
MONIQUE is an eighteen-year-old. Outcast, with antisocial tendencies in the presence of idiots. Into counterculture, wears leather. Hangs out with HEATHER.
COREY is a sixteen-year-old. Likes electronics. No personality. Couldn't tell a joke if his life depended upon it.
EVAN is a seventeen-year-old. Track star. Student body secretary. Smooth-talking. Slow to admit he's done something stupid.
ROBERT is an eighteen-year-old. Connoisseur of beer. Member of the Fencing Club. Idiot.
TED is a seventeen-year-old. Captain of the Fencing Club and fan of anything more than 200 years old. Knows martial arts, Latin, and carpentry. Plays treble viol (a violin-like instrument with frets and six strings). Grows his own vegetables. Geeky but cool.
34 INT. LAWNDALE HIGH SCHOOL, HALLWAY.
DARIA and a few other new students are touring the school with the principal, ANGELA LI.
MS. LI is a Third-World dictator without a country, obsessed with making Lawndale High School look as good as possible, especially if she doesn't actually have to improve the school.
MS. LI
At Lawndale High, we are deeply concerned with the mental health of our students, which is why all new students take a psychological exam so as to better tailor their high school experience to their needs.
DARIA
I need to drink the blood of school psychologists. Can you provide me with a few donors?
MS. LI
(under her breath)
I've got a bad feeling about this one.
(normally)
Now, if you'll follow me, on the left you'll see Lawndale High's collection of football trophies...
35 INT. LAWNDALE HIGH SCHOOL, SCHOOL PSYCHOLOGIST MARGARET MANSON'S OFFICE.
DR. MANSON is the school psychologist, confident in herself to the point of conceited, a know-it-all in a pantsuit. DARIA is sitting across the table from DR. MANSON. The table's top is covered with small holes, as if a lot of nails have been hammered into it and pulled out.
DR. MANSON
Now, Dara, let's see if you can make up a story about what's in this picture.
(holds up a crude picture of two people talking)
DARIA
(taking reading glasses out of her purse and putting them on)
It's Daria. Don't you know those tests don't tell you anything?
DR. MANSON
I'm the psychologist, not you. So what do you see in this picture, Dara?
DARIA
The stains of two incompetent psychologists splattered across the pavement after being run over by steamrollers.
DR. MANSON
Stop being snide. It's two people.
DARIA
It's a Rorschach test. What it is is bound only by one's imagination.
DR. MANSON
Wrong test, dreary girl, These are two people talking.
DARIA
Ah. One of those tests. All right then. It's two people talking about the stains of two incompetent psychologists splattered across the pavement after being run over by steamrollers.
DR. MANSON scowls.
36 INT. LAWNDALE HIGH SCHOOL, ANTHONY DIMARTINO'S CLASS.
MR. DIMARTINO is the history teacher, an angry, middle-aged man in an ill-fitting suit, a pot waiting to boil, easily set off by the slightest thing. DARIA (wearing her reading glasses, sitting in the front row), JANE, KEVIN, CURTIS DELANO, JAMIE, and BRITTANY are present, among others. The board has a number of words on it, including "Hitler", "Weimar Republic", "Treaty of Versailles", "SA", "paramilitary organizations", and "National Socialism".
CURTIS is an eighteen-year-old. Student body treasurer. Is inordinately fascinated with tollbooths. Hates cheerleaders, especially BROOKE.
MR. DIMARTINO
Class, please welcome our new student, Daria Morgendorffer.
other students
(all eyes on DARIA, deadpan)
Hi, Daria.
DARIA
Uh, hi.
DIMARTINO
(sarcastically)
I'm perfectly certain that all of you brilliant students bothered to read the chapter I assigned to you to read for today. Jamie White, what was the chapter on?
JAMIE
I, uh, wanted to read it but, uh, I had other things to do.
DIMARTINO
I see. And what exactly was it that required so much of your attention that you could not read fifteen pages?
JAMIE
I was going to do it, but this thing came up, this, uh, very important thing, and, uh...
DIMARTINO
Save your creativity for English class! Kevin, perhaps you know more than your teammate on the subject!
KEVIN
(to BRITTANY)
What did he say, babe?
DIMARTINO
Stacy Rowe, how about you? Tell us about the chapter you so diligently read!
STACY is staring off into space while writing something.
DIMARTINO
(approaching)
Ms. Rowe! Are you paying attention?
STACY
Huh? Oh, um, yeah, sure I am.
DIMARTINO
Since you obviously weren't, what, pray tell, were you taking notes on?
(takes Stacy's tablet, looks at it, reads)
"Ted Ted Ted Ted Ted..." Sounds very intellectual. You, Curtis Delano, what was the chapter on?
CURTIS
Um, it was the Weimar Republic, wasn't it?
DIMARTINO
Very good, Mister Delano! I'm glad someone actually bothered to open the book! And it only took going through half a dozen people to get to that point! Now, Mister Delano, please enlighten us what you learned by your deep and thorough reading!
CURTIS
(nervously)
It, um, was about...
DARIA
(deadpan recitation)
The Weimar Republic was the government in Germany following the First World War. Even though it was democratic, it was notoriously unpopular. This, combined with poor living conditions, worsened by the Great Depression, the embarrassment of the Treaty of Versailles, the fear of communism, and the right-wing and authoritarian elements of the culture at the time, created the conditions for the rise to power of radical elements, including the Nazi party.
All eyes are on DARIA again.
DARIA
(surprised)
What?
37 INT. THE MICHAELIS HOUSE, KITCHEN.
DARIA and the Michaelises are sitting around the dinner table eating lasagna and bacon. HELEN is largely absorbed writing something on a tablet computer similar to those used by students in class. QUINN isn't eating much.
QUINN
It was just a normal day. Three As back on various assignments. Getting bugged by Brittany to join the cheerleading squad. Asked out by six boys--
JAKE
So, Daria, how was your first day?
DARIA
The people in my classes are stupid, and the teachers are twisted and evil.
JAKE
Daria! Don't judge people until you know them. You're in a brand new school in a brand new town. Do you want a repeat of Highland? What your aunt Rita told me--
DARIA
It was a repeat of Highland. The only thing now to make it complete would be for Beavis and Butt-Head to show up to get my opinion on the latest video by the Wallflowers.
JAKE
Come on, Daria. Not everyone could have been that bad.
DARIA
Even the faculty was that bad. I was tested by a psychologist who needed her own head examined. She had me look at a picture of two people and tell me what I saw in it. Have you ever heard of anything so lame?
HELEN
Wait a minute. You said you took a psychological test today?
DARIA
Yes.
HELEN
(brings up a document on her computer and hands it to DARIA)
I got an E-mail this afternoon about it. Dr. Manson, the school psychologist, said she wants you to take a special class.
QUINN
Good God, Daria! Don't tell me she wants you to take remedial classes. You couldn't have become that stupid since we last saw you!
DARIA
(looking over the message)
It's worse. They think I have poor self-esteem and want me to take a class to make me feel better about myself.
JAKE
Low self-esteem!? Daria, that stinks!
HELEN
Jake!
QUINN
Poor Daria...
DARIA
It's not as if anyone ought to be expecting me to feel happy so soon after my parents die in a gruesome accident. Besides, you're taking the word of an idiot over what should be obvious.
JAKE
Huh?
DARIA
I have low esteem for people who administer self-esteem tests.
38 EXT. LAWNDALE SUBURB.
QUINN is walking to school when JEFFY comes up behind her.
JEFFY
Hey, Quinn!
QUINN
(turning to see him; happy)
Jeffy! How are you?
They hug briefly.
QUINN
Carry my books?
JEFFY
Um, sure thing.
(takes QUINN's bookbag)
I haven't seen you in a while.
QUINN
You know how busy I am. The Fashion Club is taking up so much time, and I've got Brittany pestering me left and right to join the pep squad, and then I've got this big paper on economics in the Soviet Union I've been doing for Ms. Bennett's class. It's been a total nightmare.
JEFFY
You think you could spare some time to go out this weekend? I got tickets to the Rotten Candy concert.
QUINN
Well...
DARIA
(out of view)
Hey, Quinn! Wait up!
QUINN and JEFFY look back to see DARIA coming after them. DARIA looks unhappy.
JEFFY
Is that your sister, Quinn?
QUINN
Cousin, Jeffy. She's my cousin.
39 INT. LAWNDALE HIGH SCHOOL, TIMOTHY O'NEILL'S SELF-ESTEEM CLASS.
MR. O'NEILL, the literature teacher, is jumpy, energetic, and sounds like Mork from Ork imitating a preacher. There is something creepy about him on top of this. DARIA (wearing reading glasses, though what MR. O'NEILL has on the board doesn't seem worthwhile reading anyway), JANE, ANDREA, ARTIE, and a few other students are present. JANE, noticing DARIA for the first time, glances over at her, as if hungry and savoring the sight of a home-cooked meal. The very tip of her tongue can be seen as she unconsciously licks all the way around her lips. Realizing what she is doing, she nervously starts to chuckle, then makes a phoney smile. DARIA doesn't seem unnerved at all and gives a hint of a genuine smile back.
MR. O'NEILL
Welcome, my little friends. You are about to embark on a hero's journey, one that begins here in this classroom and will send you on an expedition into the very depths of your soul. On the way you will encounter all kinds of dangers, face your deepest fears, but in the end you will emerge reborn, fresh as a new flower and free of all the cares and worries that have plagued humankind since they escaped from Pandora's box.
(sees DARIA raising her hand)
Yes?
DARIA
I think I'm in the wrong room. Where's the self-esteem class?
MR. O'NEILL
This is the self-esteem class. I know it's not clear right now, but hold on a little while, leave your thoughts open, and soon enlightenment will rush into you, filling you with light. Now, as we start, we all need to be honest about who we are. Let us begin. As we go around the room, let us say who we are, and what it is about us that has brought us here. I'll start. My name is Timothy O'Neill, and I'm here to be your guide to a new level of awareness.
(looks at ARTIE)
ARTIE
Hi, I'm Artie Wilcox, and I'm here because I'm always scared they'll come back for me.
MR. O'NEILL
Who is it you think will come back for you?
ARTIE
The grays. The aliens from Beta Zebulon, the ones who take off your clothes and give you anal probes and force you to have sex with them.
MR. O'NEILL
I see...
(to ANDREA)
You, who are you and why are you here?
ANDREA reads Hakim Bey's Temporary Autonomous Zone and ignores MR. O'NEILL.
MR. O'NEILL
You back there with the book. Are you listening?
ANDREA
Huh? Oh. I'm Andrea Flynn, and I was told I had to come to this waste of time because Dr. Manson is stupid and my parents believed her stupid story that I tried to nail her clothes to the table while she was still in them.
MR. O'NEILL
Uh, yeah... I'm glad you feel comfortable expressing your feelings so openly, Andrea, but we will have to get past this hostility before we can make some progress.
ANDREA goes back to reading and ignores MR. O'NEILL.
MR. O'NEILL
Andrea?
ANDREA
What? Oh. Yeah, right, whatever.
MR. O'NEILL
(to JANE)
And you, who are you and why are you here?
JANE
I'm Jane Anne Lane, and I'm here because
(begins crying)
I... I'm sorry, I...
MR. O'NEILL
It's OK, my little friend, my dear, little friend.
JANE
(stops crying)
OK.
MR. O'NEILL
(to DARIA)
You, who are you, and why are you here?
DARIA
I'm Daria Morgendorffer, and I'm the victim of a system which uncritically follows the results of a pencil-and-paper test.
JANE gives DARIA an "oh, please!" look.
MR. O'NEILL
Daria, I think you need to overcome your denial before you can achieve a higher level of self-esteem.
DARIA
I am not in denial.
MR. O'NEILL
You just denied your denial.
DARIA
How do you know there's anything to deny that I'm denying? Perhaps the only denial is the denial that there is anything else to deny?
MR. O'NEILL
(looks very puzzled for several moments)
OK...
(to an extra)
You, what's your name?
JANE, looking at DARIA, smiles.
40 EXT. THE STREETS OF LAWNDALE.
DARIA and JANE are walking home.
DARIA
... So let me get this straight: For the next six weeks we sit around listening to pop psychology slogans intended to make us feel good about ourselves without any real justification for feeling good about ourselves.
JANE
Correct.
DARIA
Plus we do busywork intended to pump up our egos, such as writing essays titled "Why I'm proud to be me".
JANE
Correct. And I always write that I'm proud to be me because I enjoy making people suffer, which I tend to do a lot.
DARIA
And then they make us take a test that can be passed by giving answers that would satisfy even the shallowest of New Age "thinkers".
JANE
Correct. Claiming to be a reincarnation of Stalin will give Mr. O'Neill an ulcer.
DARIA
And you've memorized the entire course, yet you have deliberately flunked it over and over again.
JANE
Correct.
DARIA
Why?
JANE
I like having low self-esteem. It makes it easy to get stuff out of my parents.
DARIA raises an eyebrow.
41 A VIRTUAL TV SCREEN APPEARING IN A WINDOW ON A LARGE COMPUTER SCREEN.
The screen shows on awful-looking band which sound as bad as they look thrashing about. This lasts a few seconds.
42 CUT TO: BEAVIS AND BUTT-HEAD'S SUCKY SHOW IN THE VIRTUAL TV SCREEN.
BEAVIS and BUTT-HEAD are sitting on a dirty, broken-down couch, a screen saver playing on the wall behind them by way of a blue-screen. Both look enthused.
BUTT-HEAD
Man, that was cool!
BEAVIS
Yeah, awesome! A veritable font of symbolism in the tradition of cinema noir! I particularly liked the nightmarish animation, which really spoke of the basic existential crisis of the soul.
BUTT-HEAD
Whatever. I just thought the killer peacock was cool. OK, dudes, before we wrap up, we want to get serious for a moment. We haven't heard anything from our friend Daria for a while, and we just found out that her parents recently passed away and that she's now living with her aunt and uncle in Lawndale. We know this is rough for you, Dar, but you know we're thinking about you, and we're wishing you the best.
BEAVIS
Keep the spirit, Daria. We'll be missing you. And so, as we close, we want to present the video for Daria's favorite song.
BUTT-HEAD
Well, Stewart said it was her favorite.
BEAVIS
And remember, until next time--
BEAVIS and BUTT-HEAD
(simultaneously)
This show sucks!
40 CUT TO: VIDEO OF NATALIE MERCHANT'S "SYMPATHY FOR THE DEVIL".
We watch the video a few moments.
43 CUT TO: INT. THE LANE HOUSE, JANE'S BEDROOM.
DARIA is sitting on the bed watching virtual TV on a large, flat computer screen, while JANE is gluing a bunch of junk together into a sculpture with a glue gun.
JANE
Aw! That's so sweet of them!
DARIA
(repositioning herself so she sits up over JANE)
They're stupid, but not totally insensitive. Of course, they've destroyed my image as a total outcast.
JANE
You don't want to be associated with popular people with their own show on the Net?
DARIA
(rubbing JANE's shoulder)
Does "friend of idiots" sound any better than "Quinn's cousin or whatever"?
JANE
You have a point.
(glues a bottle-cap onto the sculpture)
DARIA
What is that thing?
(reaches towards JANE's sculpture)
JANE
Don't touch it! It took me hours to build.
Sound of guitar. Sculpture shakes but remains intact.
JANE
(yelling towards the floor)
Hah! You'll have to do better than that, Trent, if you want to break this one! It's made with one hundred percent pure, grade-A epoxy!
DARIA
Who's Trent?
JANE
My older brother, the guitarist. Tall, thin, dark hair, earrings, and tattoos.
DARIA
I think I've seen him in the hallway.
JANE
Probably just got home from detention. Come on, Daria, let's go irritate him. It's a law of nature that siblings have to be at each other's throats.
(beat)
I'll let you throw my statue at him.
DARIA
(nervously)
I'd rather not get involved with your family's internal struggles.
JANE
Don't worry; this baby ought to be strong enough to stand up to hitting his head a few kilometers per hour. It'll probably come out of the encounter in a more interesting shape.
DARIA
Yeah, but with all the epoxy on it, aren't you afraid it'll stick to him?
JANE
If that happens we'll just call it conceptual art, and when they haul us into court, we'll plead "creative license".
DARIA
If you don't mind, I'd like to check with my aunt, the lawyer, before we try tossing that thing at your brother.
JANE
You really like my brother; don't you?
DARIA
What makes you think that?
JANE
Come on, Daria. I've seen you looking at my brother in the hall. Why don't you go talk to him?
DARIA
What's it to you?
JANE
You're not...
(beat)
...you know?
DARIA
No, I don't. I'm not what?
JANE
(sighs)
Hold still.
JANE proceeds to suck face with DARIA, surprising the Hell out of the latter.
DARIA
(jumping up)
Jane, are you crazy! I don't like you that way!
(wipes lips on sleeve)
Argh! Are all you Lanes this loony-tunes?
JANE
So you're not...
DARIA
Definitely not.
JANE
Just wanted to be sure. So now you don't have an excuse...
DARIA
Yeah, yeah. That tongue thing was good, though...
44 INT. THE LANE HOUSE, THE STAIRS GOING DOWN TO THE BASEMENT.
JANE
... And so Trent, Andrea, Jesse, and me formed this band called Mystic Spiral.
DARIA
What kind of name is that?
JANE
Jesse's idea. He's the blond one. Stay away from him; he's mine.
45 CUT TO: THE BASEMENT ITSELF.
TRENT and JESSE are playing electric guitars.
TRENT
You're the Devil in black,
And you sure have a knack
For putting my heart on the shelf in the back.
I'm waiting my turn.
Oh, when will I learn?
You're giving my heart a case of freezer burn!
Yeah...
JESSE
Icebox woman--
TRENT
Can't you leave me alone?
JESSE
Icebox woman--
TRENT
Can't you quit and go home?
JESSE
Icebox woman--
TRENT
Oh, what deed did I do--
JESSE
Icebox woman--
TRENT
To meet someone like you?
TRENT, catching sight of DARIA, begins messing up chords, and quickly the playing stops. DARIA and JANE giggle. DARIA and TRENT catch sight of each others' eyes. The love theme from Tchaikovsky's "Romeo and Juliet" plays in the background for a moment.
JANE
Trent? Trent!
TRENT
Huh?
JANE
Trent, this gorgeous young lady is Daria Morgendorffer. Daria, meet Trent "the Narcoleptic" Lane.
(goes over towards JESSE as TRENT approaches DARIA)
TRENT
Pleased to meet you.
(takes DARIA's hand, kisses it; gesturing towards JESSE)
That's Jesse Moreno.
(beat)
What brings you to Casa Lane?
JANE
I met Daria in self-esteem class today.
TRENT
You have low self-esteem, or are you just trying to bilk your parents?
DARIA
Neither. I have low esteem for the school psychologist.
TRENT
I'll have to agree with you there. Did you enjoy the song? It's called "Icebox Woman".
DARIA
Better than half the trash on the radio today.
(thinking)
Which isn't saying much.
JESSE
(to TRENT)
We doing a show this weekend?
TRENT
Beats me. Ask our manager.
He and JESSE turn towards JANE.
JANE
I'm working on it. You hear of any possible gigs this weekend, Daria?
DARIA is still in a TRENT-induced trance.
JANE
Daria?
DARIA
Uh, I don't think I've heard of any yet.
(resumes infatuatedly staring at TRENT)
JANE
Excuse us a minute, guys.
(drags DARIA away a bit)
Are you OK?
DARIA
Uh, yeah. You know all the answers on the self-esteem class exit test, right?
JANE
I've got them on my computer.
DARIA
Why don't we just take the test tomorrow and get out of the class once and for all?
JANE
How would I spend my afternoons?
DARIA
Uh, UFO conventions?
JANE
Or with Trent and Jesse?
DARIA
(uneasily)
What gives you that idea?
JANE
As a charter member of the Lawndale Society of Outcasts, it is my duty to aid you in your noble quest.
DARIA
(under her breath)
Oh, great.
JANE
Let's go copy my notes onto your computer. And call Andrea. She'll want to be in on this, too...
46 INT. LAWNDALE HIGH SCHOOL, HALLWAY--BEFORE FIRST PERIOD.
DARIA and JANE are walking through the hallway as QUINN and TOMMY stand talking by QUINN's locker.
TOMMY
So, like, what do you like to do after school?
QUINN
Oh, I'm very social person; I like to go see movies, or, like, a theme park, or out for a really fancy meal now and then, and maybe go to a concert if, like, I know someone who has good seats and is renting a limo and stuff.
JANE
You hear that? He's trying to two-time Sandi the Fashion Fiend. She'll kill him.
DARIA
Doesn't poem on the bathroom wall say:
You know Quinn's a winner.
She couldn't be thinner,
'Cause she doesn't touch food
But eats guys for dinner.
Based on what I've seen of her since I got dragged down to Lawndale, it's accurate.
JANE
That's odd. That poem wasn't there yesterday. You ought to write lyrics for Mystic Spiral.
DARIA
If you want to use lyrics like that, you'll end up alienating a lot of your potential fans, babe.
47 INT. GYMNASIUM, CATHY MORRIS'S GYM CLASS.
A group of cheerleaders, including BRITTANY and BROOKE, are standing in formation in gym clothes. ANDREA, similarly dressed and with a head-band, is standing before them.
ANDREA
Give me an F!
cheerleaders
F!
ANDREA
Give me a U!
cheerleaders
U!
ANDREA
Give me an C!
cheerleaders
C!
ANDREA
Give me--
CATHY MORRIS, a mean-spirited, grumpy, corrupt gym teacher, approaches.
MORRIS
Andrea, you trying to spell "suspension"?
ANDREA
Honestly, Ms. Morris, the next letter was going to be H! We were going to spell "fuchsia". It is one of the new school colors.
MORRIS
Get back to playing basketball!
(to cheerleaders)
Okay, girls! I want to see some splits!
ANDREA departs.
48 CUT TO: INT. GYMNASIUM, BLEACHERS
DARIA and JANE, though dressed for gym class, are sitting at the bottom of the bleachers. They sit side-by-side, their thighs pressed lightly together. By them is AXL, who is still in his street clothes, oblivious to this.
AXL
... And that's the honest truth; I swear it.
DARIA
That was not something I needed to know about pepperoni.
JANE
(aside, to DARIA)
Have him tell you about what's in Ms. Morris's desk drawers, babe.
AXL
Now, Dar, I know why Jane hangs out here, but what's a pretty sheila like you sitting on the bleachers with me?
DARIA
(deadpan)
Your stunning personal hygiene.
JANE
She's still recovering from her fashion trauma.
AXL
I can understand--Oh, bloody Hell! Look at that!
49 REVERSE ANGLE TO: CHEERLEADERS DOING SPLITS.
BRITTANY especially looks enthusiastic, when suddenly she tumbles forwards and ends up tasting the floor.
BRITTANY
Oof!
50 REVERSE ANGLE TO: DARIA, JANE, AND AXL ON THE BLEACHERS.
JANE
I love it when that happens.
DARIA
You wouldn't know anything about that cheerleader accident at the last pep rally, would you?
JANE
Uh, what accident?
DARIA
(drawing closer)
The one everyone's been telling me about, when a pyramid of cheerleaders collapsed because someone greased the floor with petroleum jelly.
JANE
I know nothing about that.
DARIA
Sure you do.
MS. MORRIS approaches.
MS. MORRIS
(to AXL)
And what are you doing here?
AXL
Sorry, Ms. Morris, but a badger ate me gym clothes.
MS. MORRIS
Do you expect me to believe a lame story like that?
DARIA
You believed he was human. I thought he was one of Jane's sculptures.
MS. MORRIS
(to AXL)
Axl, get out of my gym!
AXL departs.
MS. MORRIS
(to DARIA)
As for you, Delilah--
DARIA
It's "Daria". Can't anyone in this school get my name right?
JANE
You hit her weak spot. Two idiots who are now famous used to refer to her as an unpleasant bodily function.
DARIA
And thanks to you, that will be on my mind for the rest of the day.
MS. MORRIS
And you are sitting out because...
DARIA
I am too stressed by recent major life changes to be motivated to participate in many activities with my peer group.
MS. MORRIS
You've been spending time with that weird O'Neill guy; haven't you?
JANE
She's the one whose parents fell onto cows.
DARIA
And I am so depressed that I can barely get out of bed in the morning. Enthusiastically doing stuff which looks like cheerleader routines is beyond me at the moment.
MS. MORRIS
Uh-huh. What's your excuse, Jane?
JANE
You read my doctor's note. I was born with hamstrings which are too short. Every time I try to participate, they cramp up.
MS. MORRIS
Except when we're doing track, at which point you can run perfectly fine.
JANE
I never claimed to understand the anatomy.
DARIA
(to JANE)
When we dissect the fetal pigs in Barch's class, remind me to point it out to you.
BRITTANY
(out of view)
AAAAARRRRRGGGGGHHHHH!!!!!!
51 REVERSE ANGLE TO: A COLLAPSED PILE OF CHEERLEADERS.
52 REVERSE ANGLE TO: MS. MORRIS, DARIA, AND JANE.
MS. MORRIS
(running off)
God damn it!
DARIA suddenly realizes what happened.
DARIA
(to JANE)
Vaseline?
JANE
(to DARIA)
K-Y Jelly.
53 INT. LAWNDALE HIGH SCHOOL, CAFETERIA--LUNCH PERIOD.
Students are lining up to get low-quality food. BRITTANY and DARIA are in line, picking up trays.
BRITTANY
(disgusted)
What is this stuff?
DARIA
Don't bother to ask. The people who serve it have to sign confidentiality papers.
They begin selecting food.
BRITTANY
I was wondering: I'm having a party at my house Saturday night. Care to come?
DARIA
Why? I'm not a particularly social person.
BRITTANY
Well, you seem pretty depressed, your mom and dad having fallen onto a cow--
DARIA
Does Quinn have to tell everyone about that?
BRITTANY
So I thought you could use some cheering up.
DARIA
If you want to cheer me up, tell me who brainwashed Quinn.
BRITTANY
You mean she's in a cult?
DARIA
No, she's not in a cult. Six years ago, she was preoccupied with chemistry.
BRITTANY
She was a geek?
DARIA
She was the queen of the geeks.
They pay for their food and sit down at one of the tables.
BRITTANY
I don't get it. What's the problem with Quinn again?
DARIA
The last time I saw Quinn before my parents' funeral was when she and her parents came to visit me and my family six years ago. My parents were weirdoes, so it wasn't surprising that one night my mom decided to serve crickets for dinner...
54 CUT TO: ANOTHER TABLE.
TRENT and JESSE are sitting there, trying to eat lunch, and being badgered by QUINN.
TRENT
I'm telling you, Quinn: it's over between us. I've met someone better than you.
QUINN
What? I'm the smartest girl around here, and you've got this weird brain fetish.
(whispering)
Besides, you can't just sleep with me and dump me.
JESSE
Janey brought home with her someone smart yesterday, someone less flashy and frivolous.
TRENT
And why should I settle for a smart fashion-addict when there's hope for me to find someone with depth as well?
QUINN
But I am deep!
TRENT
Dating a different guy every night and two on Saturdays is a pretty rotten way to treat people. I'm not willing to go through that again. I got enough of it from Sandi, and I'm not going to take it from you.
JESSE
Even if she isn't the One, she's got to be better for him than you.
SANDI
(out of view)
Quinn, we're about to start the meeting.
QUINN
Coming.
(to TRENT)
Mark my words: you'll regret this.
(exits)
55 INT. LAWNDALE HIGH SCHOOL, MR. O'NEILL'S SELF-ESTEEM CLASS.
Previous attendees are present.
MR. O'NEILL
And so ended the tale, in which the protagonist was able to find his self-efficacy and overcome his obstacle, all by exercising the power of will.
JANE
(aside)
And you'd never have thought The Little Engine That Could could be so interesting, hon.
DARIA
(aside)
The worst part is he's spoiled the ending for the upcoming movie.
MR. O'NEILL
Now as our time together winds down, let's take a moment and contemplate the deeper message behind the story. There are things we all want in life, and some of them are harder than others to achieve. But there is nothing in life which we cannot reach if we just will it to happen. I think I can; I think I can. See you tomorrow, kids.
All the students except for ANDREA, DARIA, and JANE file out.
JANE
What did he say?
DARIA
Sounds like some of that trash Quinn gave me to read.
JANE
That bad, huh?
DARIA
The worst part is I stopped up the toilet trying to flush the computer. I'm more worried about doing; most people aren't capable of thinking. Ready to do this?
JANE
Right behind you.
ANDREA
I can't.
DARIA
Sure you can.
JANE
Just put a smile on your face and recite the lines.
ANDREA
I can't smile. I've never been able to.
JANE
Hey, if Little Ms. Monotone over here can do it, so can you. And she has no emotions.
DARIA
(deadpan)
I am not monotone.
ANDREA
I do have emotions. Unfortunately, the only ones I have are lust, hate, anger, and rage.
JANE
(taking ANDREA's wrist)
Come on...
DARIA
(following; deadpan)
I am not monotone.
ANDREA, DARIA, and JANE approach O'NEILL, who is sitting at his desk doing paperwork. JANE is wearing a normal smile, DARIA has a Mona Lisa smile, and ANDREA has an obviously fake smile and looks like she's in pain holding it.
DARIA clears her throat.
O'NEILL
(noticing them)
Oh, my dear little friends, what can I do for you?
DARIA
(completely deadpan)
Actually, when we woke up this morning, we had this realization of all that was wrong with our lives.
JANE
(melodramatically)
We saw the light, and it has filled us completely, evaporating all that has weighted down our souls.
ANDREA
(struggling to sound happy)
And now that we've been enlightened, we feel it is time to spread our wings and fly as free as the wind.
MR. O'NEILL
Well, I'm glad you're full of self-fulfillment! But we still have several more weeks of class left.
DARIA
You have shown us the way this first week. I've never seen teaching like yours before.
MR. O'NEILL
Thank you very much.
DARIA
So can we take the exit exam?
MR. O'NEILL
I'm afraid not. There's so much more for you three to learn that I really don't think you'd pass.
DARIA
Oh.
ANDREA sniffs.
JANE
(sighs; to DARIA)
I told you we weren't good enough.
DARIA
It's all my fault. What was I thinking?
ANDREA
I feel lower than dirt for thinking that my self-esteem could have risen so high in so short a time.
MR. O'NEILL
No, don't feel bad! I'll let you take the exit exam early if it'll really boost your self-esteem!
DARIA
Well, OK.
JANE
(shrugs)
Yeah.
ANDREA
(putting fake smile back on)
Goodie.
MR. O'NEILL
(looks at a copy of the exit exam)
Question one: Self-esteem is important because...
DARIA
It's a quality that enables us to do anything we set our minds to do.
MR. O'NEILL
Very good. Now, the next time I feel bad about myself...
JANE
Stand before the mirror, look myself in the eye, and say, "You are number one. No one else is as good as you."
MR. O'NEILL
You definitely have been paying attention. Next question: there's no such thing...
ANDREA
As the right weight.
DARIA
Or the right height.
JANE
There's only what's right for me.
ANDREA
Because I'm perfect just the way I am.
MR. O'NEILL
I don't think that there's any need to go further. I am pleasantly surprised with the three of you. Never before has anyone completed this course so fast. I think that the whole school should hear about this at assembly.
DARIA, JANE, and ANDREA
No!
56 INT. THE LANE HOUSE, JANE'S ROOM.
DARIA and JANE are sitting together on the latter's bed, side-by-side, pressed close together as they look at a common pad.
DARIA
(looking at one of JANE's sketchbooks)
These are really good. I didn't realize that I wasn't the only one who drew zombies.
JANE
What? You've been sketching the high-quality zombies at the Mall of the Millennium, too?
DARIA
Naah. I do it from memory. It's a great way to scare people when demonstrating artistic principles. I thought Brittany was going to freak out when I demonstrated one-point perspective to her today in art class.
JANE
So you've met the Inflatable Bimbo; haven't you?
DARIA
Yeah. She invited me to her party.
JANE
No kidding! Are you going?
DARIA
No way. It was a pity invitation. She heard about how my parents died from Quinn.
JANE
Oh, the thing about them skydiving onto a cow.
DARIA
I'm going to kill Quinn.
JANE
Don't bother. Think of this as an opportunity to get to know people better, babe.
DARIA
I got to know people too well in Highland. That's why I'm a pessimist.
JANE
OK, think about it as an opportunity to get to know one person better.
DARIA
Oh, great.
JANE
You wouldn't happen to know if Brittany's hired a band?
DARIA
I have no idea. You really are Mystic Spiral's manager; aren't you?
JANE
(picking up the telephone and dialing)
Do you really think Trent and Jesse could manage themselves?
BRITTANY picks up on the other end.
JANE
Hey, Britt! It's Jane.
(beat)
The one who's been helping you with geometry.
(beat)
Lots of circles, squares, and triangles.
(beat)
I hear you're having a party Saturday night. You need a band? I just happen to know one that's available.
(beat)
Mystic Spiral.
(beat)
Is there such a thing as too many cute guys?
(beat)
I knew you'd see things my way.
(beat)
That'll do.
(beat)
Can do. See you then.
(hangs up)
DARIA
This really is all a plot to get me and Trent together; isn't it?
JANE
We'll pick you up in the Tank about seven. Don't be late.
57 INT. THE MICHAELIS HOUSE, QUINN'S ROOM.
Among an orgy of pink, green, and lace, a menagerie of stuffed animals, QUINN stands before her closet selecting clothes. Her closet is like the gateway to another world, seemingly hung infinitely deep with clothes of all kinds and colors, undiminished by the large volume which has been pulled out and arranged all over the lace-trimmed canopy bed and pink plush carpeting. Mariah Carey's "Revenge" plays in the background.
QUINN
(looking in mirror while handling clothes, to herself)
Sheer, semisheer, or opaque? Textured!
DARIA
(walking by open door, stopping, imitating QUINN)
Oh, what the Hell! I'll just go naked!
QUINN
Don't mock the creative process, Daria. I'm trying to select the perfect outfit for a party.
DARIA
What the Hell is that music? Rock opera? It sounds like you're preparing for some ultra-violence with your droogs.
QUINN
It's Mozart. Haven't you heard? It makes you smarter.
DARIA
And who would have thought you needed a boost, L. Quinn?
QUINN
Ha ha. Parties are one of the most important social gatherings for young adults. It is a place to bond with our peers, to maintain and improve our social status.
DARIA
And not a bad place to hook up with cute guys.
QUINN
They're not mutually exclusive goals.
DARIA
So how did you get invited to Brittany's party?
QUINN
How did you know it was Brittany's party?
DARIA
She invited me.
QUINN
That's awfully nice of her.
DARIA
It was a pity invitation.
QUINN
It doesn't matter how you get there, only what you do when you arrive.
DARIA
And how did you get invited? I was under the impression you and she weren't on good terms.
QUINN
I'm technically the guest of someone who was invited. You can't a priori throw out someone's date.
DARIA
I can't argue with that logic.
QUINN
This will be a good opportunity for you, give you a chance to loosen up. Now,
(holds up white blouse to DARIA's chest)
maybe if we put you in this blouse, and maybe a miniskirt--
DARIA
I don't think so.
QUINN
Image is important, Daria. How do you expect to meet anyone if you're wearing all black? It's so depressing.
DARIA
That's funny. I met someone the other day, and he didn't seem to mind what I was wearing. I wouldn't want to upset Trent by suddenly dressing too cheerily.
QUINN
Trent? As in "Trent Lane"?
DARIA
You think it was Trent Reznor?
QUINN
(throwing down clothes she's holding, storming out)
Mom! Dad! Daria is ruining my life!
58 INT. THE MICHAELIS HOUSE, KITCHEN.
JAKE, HELEN, DARIA, and QUINN are sitting around the dinner table. HELEN is still giving part of her attention to that flat computer.
QUINN
Mom, tell Daria she can't go to Brittany's party! My popularity is at stake! She's determined to be a social black hole!
DARIA
I thought Lawndale was a social black hole. That's why my mom never accepted that job offer here.
QUINN
Shouldn't you ground her
(beat)
'cause her room is a mess? She's got fake bones all over the floor.
DARIA
(to JAKE)
You wouldn't believe what Quinn's hiding under all that lace and frilly stuff in her room.
QUINN
Wait, there's something worse: she's been hanging with a Satanic head-bangers band. Everyone in school knows it.
JAKE
What!
(to DARIA)
In Highland you hung with those imbeciles who could barely form sentences! Now you have to hang with Satanic head-bangers! Must all your friends be weirdoes?
DARIA
As if Quinn gravitated towards decent people. Beavis and Butt-Head were not friends; they were guinea pigs for my science project. As for Trent and Jesse, they're not Satanic head-bangers; pop musicians, maybe, but nothing demented. And I can't really claim to have hung with them yet; I've only met them once.
HELEN
(obviously not having paid attention to much of what's been said)
I think it's great that you two are going to be spending time together. We'd be happy to drive you to the party and pick you up.
DARIA and QUINN
No!
JAKE
Have you even been listening, Helen?
59 INT. THE TANK (TRENT'S CLUNKY VAN)--ON THE WAY TO THE TAYLOR HOUSE.
TRENT is driving, JESSE is riding shotgun, and DARIA (wearing dark gray), ANDREA, and JANE are in the back. DARIA has her hand resting on JANE's knee.
DARIA
Thanks for the ride, Trent.
TRENT
No problem. Any friend of Jane's is a friend of ours, so we're happy to give you a lift.
DARIA
Um, thanks.
ANDREA
(to DARIA)
Jane tells me you're very unhappy with life.
DARIA
Sort of.
ANDREA
Then why are you wearing such upbeat clothing?
60 EXT. THE TAYLOR HOUSE.
The Tank pulls up in front of it.
61 CUT TO: INT. THE TANK.
DARIA
Do we really want to do this?
JANE
(imitating QUINN)
You know, just because people are cliquey and snotty is no reason to hate them.
ANDREA
Or like them.
TRENT
Besides, we've a gig in there.
DARIA
Hard to argue with that.
Our heroes exit the Tank.
62 CUT TO: EXT. THE TANK.
Everybody takes at least one piece of equipment.
JANE
Ten hut! Forward march!
63 INT. THE TAYLOR HOUSE, LIVING ROOM.
Besides the standard furniture, there are two ceramic tigers. BRITTANY and KEVIN are putting food on a table. The doorbell rings. BRITTANY approaches and opens the front door, revealing our heroes.
BRITTANY
Daria, you're here! I'm so glad! Hi, Jane, Jesse, Andrea, Trent.
our heroes
(asynchronously)
Hi.
BRITTANY
Come on in!
(pointing)
You can set up over there.
TRENT
Sure thing.
Our heroes start moving towards the other side of the living room, opposite the refreshments table. DARIA nearly runs into QUINN (anomalously wearing her "sunglasses" indoors) and JOEY, who are walking around a corner into the living room. Their hair looks a bit messed up.
DARIA
My, my, my. Did you two get here early for the two kinds of chips?
(to QUINN, quieter)
Confidentially, I think he'll need some time to choose between the flat and ridgy ones.
JOEY
Uh...
QUINN
Very funny, Daria. Joey and I just got here early and took a look around. The den's fairly interesting.
JANE
Now, now, ladies. Daria, I'm sure Quinn wasn't doing anything illicit and, in fact, probably has a lot on her mind.
QUINN
Thank you.
JANE
Such as the fact that she's lost a contact and now has to wear glasses inside or else be walking into walls.
QUINN gives a short shriek and runs off.
ANDREA
You always know the perfect thing to say.
64 DISSOLVE TO: LATER.
TRENT, JANE, ANDREA, and JESSE have set up and are playing something instrumental. Various assorted students (practically all in the cast) are mulling about. DARIA is standing in a corner, feeling too shy to hang closer to TRENT. QUINN (apparently having found her contact) is talking to the other members of the Fashion Club and two fashion-conscious extras. JOEY, JEFFY, and JAMIE are getting snacks from a table and being pestered by KEVIN. HEATHER and MONIQUE are up to something.
HEATHER
This is way too boring. Too many people are having too good a time.
MONIQUE
Don't worry. I know just how to start a fight.
HEATHER
How?
MONIQUE
Watch me.
(walks up to KEVIN and kisses him passionately on the lips)
BRITTANY
(notices, looks distressed, shouts)
Kevvy! How could you?
(runs out of the room)
KEVIN
(oblivious, following)
What'd I do, babe?
HEATHER
You call that a fight?
MONIQUE shrugs.
65 CUT TO: THE FASHION CLUB.
QUINN
(to rest of the Fashion Club)
So I said, "Just because people are cliquey and snobby is no reason not to like them."
The 3 Js walk up to QUINN.
JOEY
Hey, Quinn, care to dance.
JEFFY
Dance with me.
(quietly)
I hear Joey still sleeps with a teddy bear.
JAMIE
Care to ditch these two losers?
(quietly)
I heard from Angie that Jeffy is a sloppy kisser.
QUINN
Guys, you don't have to fight over me. I'd enjoy spending time with all of you.
SANDI looks irked as QUINN goes off a bit with the 3 Js, but her mood improves as TOMMY enters. He is wearing a pinstripe suit, looking almost like a gangster in 1920s Chicago. SANDI approaches him.
SANDI
(putting her arms around TOMMY)
Nice outfit.
TOMMY
(reciprocating)
I had an interview earlier. My dad wants me to take over the family cement business when he retires.
(chuckles)
As if the talent scouts won't scoop me up into a career of pro football.
SANDI
As if.
(beat)
Have a seat. I'll get you a Budweiser.
(departs)
TOMMY sits down, looking around a bit while taking out a cigarette and a lighter and trying to light up. Suddenly someone dashes a drink over his head.
66 CUT TO: DARIA STANDING OVER TOMMY, HOLDING AN EMPTY GLASS.
DARIA
(deadpan)
Sorry. I was trying to keep your head from bursting into flames.
67 CUT TO: DARIA AND TOMMY.
TOMMY, enraged, jumps up.
TOMMY
(yelling)
What the Hell is wrong with you?
The music in the background abruptly stops. All eyes turn towards them.
DARIA
Me? What the Hell is wrong with you?
TOMMY
I'm just trying to relax, have a cigarette, and you just come along and throw a drink in my face!
DARIA
You want to poison yourself and die of lung cancer, go ahead. Just do it somewhere else where you won't be taking other people with you.
TOMMY
You have a real attitude problem; you know that?
DARIA
Thanks.
DARIA walks away. A few people chuckle at TOMMY's expense. The background music resumes and people return to the party. SANDI returns with a beer bottle.
SANDI
What happened to you?
TOMMY
(taking the beer)
That crazy geek in the dark gray dress threw a drink in my face while I was trying to light up.
(takes a big sip)
Some people are so insensitive.
SANDI
Daria Morgendorffer, Quinn's cousin or whatever.
TOMMY
The one with fashion trauma? I hope she falls on a cow herself!
ANDREA
(from across the room)
Hey, Goal-Post-Head! The wet look suits you!
TOMMY
Shut up, you Goth freak!
68 CUT TO: HEATHER AND MONIQUE.
MONIQUE
Yes! Daria missed starting a fight by
(holding index finger and thumb slightly apart)
that much! We can still be first!
HEATHER
Good. I've just the perfect thing.
(pulls a hip flask out of her pocket)
MONIQUE
What's that? Moonshine? They already have beer here.
HEATHER
(as they walk over to the refreshments table)
Better: glitter berry juice.
MONIQUE
Isn't that poisonous?
HEATHER
(pouring some into the punch)
Not really. It's harmless--except for the fact that it makes people act like idiots. Why? Are you worried about being caught?
MONIQUE
Naah. But with this crowd, how are we going to tell if it works?
69 CUT TO: THE FASHION CLUB.
TIFFANY
(to fashionable extras and STACY, gestures to someone out of view)
See her?
70 TIFFANY'S POV.
We follow the people TIFFANY points out.
TIFFANY
(pointing to BROOKE)
Somewhat popular despite problems coordinating, popularity on the wane. Been going downhill ever since that botched nose-job.
(pointing to EVAN, who is getting a drink thrown in his face by HEATHER)
He's just obnoxious but somehow still popular.
(pointing to ROBERT)
And he's barely popular enough to get here, but he's still beneath us talking to...
71 INT. THE TAYLOR HOUSE, LIVING ROOM.
MONIQUE and HEATHER approach DARIA as TIFFANY continues lecturing on the popularity of the various people present.
MONIQUE
(to DARIA)
We noticed that you were having trouble fitting in around here.
DARIA
Uh, sort of.
HEATHER
Don't worry about it.
MONIQUE
With some of the people around here, you'll never, ever want to fit in.
HEATHER
Here comes exhibit A.
Enter UPCHUCK from another room, approaching DARIA, HEATHER, and MONIQUE. STACY is not paying attention anymore to TIFFANY but is looking at boys.
UPCHUCK
Hello, ladies.
(to DARIA, bowing low)
Charles Ruttheimer the Third, at your service. And you are?
DARIA
Xena, Warrior Princess.
UPCHUCK
I'll be your social director for the evening. Would you like a tour of the house? It's free.
HEATHER
Go with him. Then you'll have no doubts that you want to be an outcast. It's better than standing around doing nothing, anyway.
MONIQUE
Then put him out of our misery. You can hide the corpse in the drier in the laundry room.
DARIA
(uncertain)
OK...
Exit DARIA and UPCHUCK.
HEATHER
Better her than us?
MONIQUE
Absolutely.
72 CUT TO: STACY AND TIFFANY.
TIFFANY
(seeing STACY staring)
Who are you looking at?
STACY
Uh, no one in particular. There are just so many cute boys here tonight.
TIFFANY
(seeing some interesting guys)
Hmm.
SANDI
(quietly)
I told you, geeks are off-limits.
TIFFANY
That's Stacy's problem, not mine. I know very well that it would ruin our popularity to be seen with such people, especially that geek with the bird.
SANDI
Very good. The last thing we need is to be associated with a weirdo who thinks that a pigeon is a party animal.
(noticing STACY)
Stacy, who are you staring at?
STACY
(not diverting her gaze)
No one.
SANDI gives a snort of disgust and walks away.
73 CUT TO: TED, whom STACY is gazing at, and an extra holding a pigeon.
74 CUT TO: TIFFANY and STACY.
TIFFANY
(quietly, to STACY)
Don't worry. She's just jealous 'cause Ted is cuter than Tommy Sherman.
STACY
Thanks, Tiffany. You're a real friend.
75 INT. THE TAYLOR HOUSE, MASTER BEDROOM.
MACK and JODIE are sitting on the bed making out. Enter UPCHUCK and DARIA.
UPCHUCK
And this is the master bedroom, done in a minimalist baroque style.
MACK
Damn! Can't we get any privacy around here?
JODIE
(leading him out of the room)
I think the laundry room may be vacant.
Exit JODIE and MACK.
UPCHUCK
Note the canopy bed made of genuine walnut with a deep finish, the handmade lace bed ruffle, and of course the genuine silk sheets. Have you ever slept nude in silk sheets? It's almost like having your whole body surrounded by the finest part of a woman.
DARIA
Ew! That's a really disgusting thought, crawling into a human brain.
UPCHUCK
That wasn't the part I meant, but I do appreciate that aspect of a woman, too.
DARIA
You have some ulterior motive for bringing me in here; don't you?
UPCHUCK
What makes you say that?
(closes the door)
DARIA
For one thing, what you just did.
UPCHUCK
Admit it: when you first saw me, you knew we were made for each other!
DARIA
Pardon me?
UPCHUCK
You are the perfect woman, both brilliant and beautiful! You are the perfect complement for myself! Let us consummate the perfect match at once!
UPCHUCK embraces DARIA. DARIA punches UPCHUCK in the face and kicks him with her boots.
UPCHUCK
(collapsing on the floor)
Ow!
DARIA
Touch me again, and I'll drop an antique computer on your head.
(exits)
UPCHUCK
(weakly)
Ooh. Feisty.
76 INT. THE TAYLOR HOUSE, LIVING ROOM.
SANDI
(having returned, now holding an open magazine, to STACY and TIFFANY)
See, I told you that that Ted character isn't qualified to go out with any of us. It's in here, right on page sixty-three.
STACY whimpers and walks sadly away.
TIFFANY
You're so right, Sandi. I don't see how Stacy could ever doubt you.
Enter DARIA.
DARIA
(walks over to HEATHER and MONIQUE)
You two were right. The popular crowd around here is pathetic.
ARTIE and ROBERT (in a green shirt) enter the room and stare at HEATHER, MONIQUE, and DARIA. Both guys are visibly intoxicated.
HEATHER
Those guys are looking at us.
(to MONIQUE)
I told you that the glitter berry juice would work.
DARIA
I'm not interested in them. They remind me too much of Beavis and Butt-Head.
MONIQUE
The one in the green shirt is cute
(beat)
in a head too big for his body kind of way. If you don't go for Trent, you could go for him.
DARIA
You've been talking to Jane; haven't you?
MONIQUE nods. ARTIE and ROBERT approach.
ROBERT
So, where have you girls been all our lives?
DARIA
(deadpan)
Waiting here for you. We have no purpose and destiny but you. Take me, right here, right now, you paragon of male virtue and handsomeness. My only desire is to be your love slave.
ROBERT
Hey, Artie! She likes you!
MONIQUE
(quietly to ARTIE and ROBERT)
Confidentially, I think Brooke has a crush on you two.
ARTIE
Really?
MONIQUE
More than Xena here. Why don't you make her most secret dreams come true?
ARTIE
With extreme pleasure!
ROBERT
Count me in!
ARTIE and ROBERT wander off to look for BROOKE.
DARIA
Thanks. Those guys were making me nauseous.
HEATHER
(noticing QUINN trying to get the 3 Js out of the room)
Is it my imagination, or does Quinn look rather anxious?
DARIA
Quinn? Where?
MONIQUE
She's hiding behind the ceramic tiger.
DARIA
(to QUINN)
Yoo-hoo! Sister!
QUINN
Um, excuse me, guys. I gotta go to the bathroom.
DARIA
(approaching)
Hi, sister!
QUINN
I'm your cousin, not your sister! Aren't you a little out of place dressed like that? That's almost as bad as what you usually wear.
DARIA
(to the 3 Js)
Hi! I'm Quinn's brainy sister. People think we're twins.
QUINN
(pushing the 3 Js out of the room)
Come on, guys; let's go check out the den.
DARIA
(walks over to HEATHER and MONIQUE)
You know, being an outcast does have its advantages.
MONIQUE
(gesturing)
You could always irritate her other friends, too.
DARIA
Not a bad idea.
(walks away)
HEATHER
(to MONIQUE)
You are so evil.
DARIA approaches SANDI, STACY, TIFFANY, and two fashion-conscious extras.
DARIA
Hi! I'm Quinn's brainy sister...
77 DISSOLVE TO: LATER.
DARIA
(to STACY, TIFFANY, and the extras--SANDI has deserted to talk to TOMMY)
... It was after she walked into the glass doors at the Mall of the Millennium six times that Mom realized that Quinn had a serious vision problem.
STACY
That is so sad.
DARIA
She lost a contact in the laundry room before you got here. She was actually walking around with glasses indoors before she found it.
QUINN
(approaches DARIA, then drags her away)
I've got ten dollars.
DARIA
Ten dollars doesn't buy anything these days.
QUINN
Twenty?
DARIA
Twenty dollars buys only a single book these days.
QUINN
Forty?
DARIA
Well...
Mystic Spiral finish a song, followed by applause. They bow once or twice.
TRENT
Thank you, all.
Mystic Spiral put down their instruments. ANDREA wanders off on her own. JESSE and JANE walk off hand-in-hand towards the laundry room. TRENT walks towards DARIA.
DARIA
(thought only, hanging her head down)
It can't be happening. What could Trent see in me?
TRENT is intercepted by QUINN. QUINN pushes TRENT down on a sofa and sits on his lap.
QUINN
Hello, Trent.
TRENT
(pushing QUINN away)
Good-bye, Quinn.
QUINN
But--
TRENT
Good-bye, Quinn.
QUINN reluctantly retreats.
TRENT
(to DARIA)
Hey, Daria.
DARIA
(a bit flushed)
Hey.
TRENT
Care to get away from these losers for a while?
DARIA
Um, sure.
DARIA and TRENT walk off towards the den.
78 CUT TO: TOMMY AND SANDI.
TOMMY
(a bit inebriated, to SANDI)
Did I just see that?
SANDI
Yeah. He may look cool, but he doesn't warm up to popular people very quickly.
TOMMY
That's disgusting. I never thought he'd sink so low to go out with such a geek. Even after Andrea.
ANDREA
(approaches)
You're no prize yourself, Goal-Post-Head.
(moves away)
QUINN
(approaching)
He has this brain fetish, and I was close to getting him to accept me when Daria moved here. Then he didn't want to do anything to do with me.
SANDI
Wait a minute. Wasn't that cousin of yours the one with the pink, frilly dress?
QUINN
Unfortunately. She tells me she turned into a pessimist after she met Beavis and Butt-Head. Though I think it has to do more with the death of her parents.
TOMMY
Neither of those explains how anyone can be so sick. Or why Trent is so messed up.
They follow discretely for a few seconds and watch in horror.
TOMMY
We really got to straighten them out. Man, I could sure use a belt...
79 INT. THE TAYLOR HOUSE, THE DEN.
DARIA and TRENT sit on a couch, trying to start up a conversation.
Music: Nirvana, "Smells like Teen Spirit".
DARIA
(nervously)
Um, nice music you were playing.
TRENT
Thanks.
DARIA
I've never quite heard music like that before.
TRENT
Daria...
(beat)
Do you believe in love at first sight?
DARIA
It's been reported to happen.
TRENT
But do you think it does?
DARIA
I don't know. Maybe with the right people.
TRENT
But how can two people just suddenly know they're right for each other?
DARIA
I don't know. They just look at each other, and they have this moment of clarity...
DARIA's voice trails off as she and TRENT, looking at each other, start moving towards each other to kiss. The love theme from Tchaikovsky's "Romeo and Juliet" begins to play. They stop suddenly as JANE and JESSE enter. Their hair is a bit messed up, and JANE has a sock clinging to her shoulder. They approach DARIA and TRENT.
JESSE
Go, Trent! Go!
DARIA
(falling back in her seat)
Oh, great.
TRENT
What happened to you two?
JANE
Uh, looking for Quinn's missing contact?
DARIA
She found it already.
(picks sock off of JANE's shoulder)
Is this yours?
JANE
(sighs)
Jesse thought my head was a lollipop.
TRENT
(to Jesse)
Ready to get back to work?
JESSE
Sure thing.
The four of them head back towards the living room.
80 INT. THE TAYLOR HOUSE, LIVING ROOM.
Enter JANE, JESSE, DARIA, and TRENT. ANDREA is already back at the drums. TRENT is confronted by a very drunk TOMMY as DARIA gives him a kiss before he starts playing again.
TOMMY
(putting his arm over TRENT's shoulder)
Hey, Trent! I hear you're now going with some geek.
DARIA
That would be me.
TRENT
What of it?
TOMMY
(to DARIA)
I can't imagine anyone wanting to talk to you.
(to JANE)
You, maybe--like, four hours into a kegger.
JANE
Perhaps after I barf on your shoes.
TRENT
What's your problem, Tommy? You have some problem with people who aren't shallow?
JESSE
Maybe hitting one too many goal-posts has damaged his brain.
TOMMY
(looking at JESSE)
Trent, you used to be cool, really cool.
TRENT
(rotating TOMMY's head manually)
I'm Trent.
TOMMY
Then you started reading poetry and literature. You got Monique to quit the Fashion Club. You started shunning half of the football team. And now you're here with a nerd?
(to DARIA)
You're one of those misery chicks, always moping about what a cruel world it is, making a big deal about it so people won't notice that you're a loser.
JANE
(to DARIA, singsong)
I don't think he likes you.
DARIA
That doesn't bother me.
TOMMY
Well, it bothers me how Trent here could see anything in anyone like you--how anyone could see anything in anyone like you!
TRENT
I think you've said enough, Tommy. You've had too much to drink, and it's about time someone drove you home.
TOMMY
(pulling himself away)
I don't need your help! I'm Tommy Sherman, greatest football player Lawndale High's ever seen! I can do anything!
(takes a swing at DARIA and TRENT)
DARIA
En garde!
(kicks TOMMY in the butt)
Music: Alanis Morissette, "The Next Revolution".
TOMMY goes flying into SANDI, and the two of them fall on top of JODIE. MACK, offended, picks up TOMMY and punches him, offending KEVIN, who punches MACK, resulting in a brawl among the football players, which spreads quickly to the cheerleaders and everyone else. (Let the fight choreographer have some fun, with the only restrictions being that DARIA, MONIQUE, HEATHER, MACK, JODIE, and everyone in Mystic Spiral doesn't get knocked out, and no one is seriously hurt.) Notably: 1) UPCHUCK propositions HEATHER and MONIQUE and is picked up by them and dunked in the punch-bowl. 2) JOEY and JAMIE pick up JEFFY and send him sliding across the food table, then punch each other. 3) BRITTANY kicks SANDI karate-style in the head. 4) SANDI grabs DARIA by the hair, the latter struggling to get free, punching SANDI in the face, and ending up falling on top of JANE, face to face, one of DARIA's hands ending up on JANE's chest. They interact briefly as the fight continues around them:
DARIA
Uh, sorry to drop in on you like this.
JANE
(taking hold of DARIA's hand)
Feel free to any time. Ready to get back to the conflict?
DARIA
Plenty.
5) As DARIA climbs off of JANE, TRENT punches out TOMMY, who falls on top of SANDI. 6) STACY punches JEFFY in the face, causing him to fall unconscious to the floor. 7) JODIE punches out TIFFANY. 8) SANDI tries to crawl out from under TOMMY but gets kicked in the head by STACY and falls unconscious. 9) MACK punches EVAN and ARTIE. 10) BROOKE throws CURTIS through a window. 11) ANDREA shakes her head in disapproval, then overturns a ceramic tiger on UPCHUCK. 12) SANDI leaps on ANDREA's back, but ANDREA flips SANDI over her shoulder onto TIFFANY. 13) BRITTANY cartwheels onto TIFFANY's back and jumps onto QUINN, then jumps up, grabs a chandelier, swings across the room, and knocks BROOKE out the open window. 14) JANE and DARIA throw ARTIE and ROBERT through the open window.
81 INT. THE LAWNDALE POLICE STATION.
DARIA and QUINN are sitting on a bench with JAKE and HELEN standing over them. A few other students from the fight are being interrogated by their parents nearby.
JAKE
How could you two get in a fight?
DARIA
Well--
JAKE
Quinn, your mother and I have put a huge amount of effort into raising you. Daria, we took you into our home after your parents died. How could you two betray us?
DARIA
Well--
JAKE
You two better have a damn good explanation for your behavior.
DARIA
Well--
JAKE
No excuses!
HELEN
Let them explain.
(beat)
Then we nail them.
QUINN
It's all Daria's fault! She started the fight!
JAKE
I knew it!
DARIA
Actually it was Tommy Sherman who started the fight.
JAKE
The football player? But football players are the greatest guys on the planet!
DARIA
Except for him. He had a problem with me and Trent seeing each other and attacked us.
JAKE
Well, of course he had a problem! Who wouldn't be upset at a Satanic head-banger?
DARIA
He's not a Satanic head-banger!
JAKE
I'll bet he isn't! He probably started the fight.
HELEN
(looking over the police report)
Actually, according to this, that Sherman boy started the fight according to all eyewitnesses. The arresting officer also notes that his breath smelled of glitter berry juice.
JAKE
What!?
DARIA
Told you.
QUINN
They're lying! She provoked him!
DARIA
As in by refusing to be a slave to common conceptions of how people should behave, thus prompting him to attack me.
JAKE
I knew it!
HELEN
Jake! We don't have a bit of evidence to blame Daria for anything! Everyone claimed Tommy Sherman started the fight, not Daria. According to this, he was intoxicated and had a big chip on his shoulder. Obviously he was no innocent bystander.
JAKE looks irritated, but he knows he can't do anything.
81 INT. LAWNDALE HIGH SCHOOL, SHOWERS
DARIA is seen from the shoulders up in the showers off the girls' locker room. As the steam rises around her, she soaps up her voluptuous body and rinses herself off under the stream cascading over her supple skin. The camera pulls back a bit to reveal JANE in a similar state of undress and activity.
JANE
Hey, Daria, hon?
DARIA
Yes, babe?
JANE
Could you help me out?
DARIA
Sure thing. What do you need?
JANE
I got this spot on my back I can't reach. You mind?
DARIA
No problem, babe. Sponge?
JANE
(handing over squeeze bottle)
All I got is this body wash.
DARIA
(taking bottle)
That'll do.
SANDI
(out of view, screaming)
God damn you!
DARIA
What was that?
JANE
(turning her back to DARIA)
Oh, just the plumbing.
DARIA squeezes a handful of body wash into her hand and proceeds to rub all over JANE's back.
JANE
(looking like she's enjoying it a bit too much)
Oh, yes! That feels great...
82 INT. LAWNDALE HIGH SCHOOL, GIRLS' LOCKER ROOM.
The room is filled with teenage girls in various states of undress, changing either into gym clothes or back into street clothes. DARIA and JANE emerge from the showers dressed only in white towels wrapped around them, dipping in the front to show off their cleavage. (Note to costumer: Be sure to have plenty of tape.) They approach their gym lockers.
JANE
(opening her locker)
That was amusing.
DARIA
(opening her locker)
What is it with you and lubricants anyway?
JANE
(taking small radio from her locker)
A natural extension of my fascination with paints, I guess.
SANDI
(out of view)
Jane!
DARIA
Uh-oh...
SANDI approaches from the showers, looking furious.
SANDI
You did it; didn't you!
JANE
Did what?
SANDI
The honey in my body wash, that's what! Do you know how awfully sticky that makes you feel!
DARIA
(deadpan)
But you smell so sweet, just like your personality.
SANDI
(to DARIA)
You'd better watch yourself, misery chick.
(to JANE)
And as for you, art geek, you'd better watch yourself. If I ever catch you doing something like this, you're dead!
SANDI shoves JANE's shoulder and departs.
DARIA
You're going to get yourself hurt some day.
JANE
I'm not scared.
83 CUT TO: DARIA'S FEET.
Her towel drops to the floor.
84 CUT TO: DARIA and JANE, SHOULDER LEVEL.
JANE switches on her radio. Suddenly feedback rings out through it, causing JANE to jump back. Weird Al Yankovic's "It's All about the Pentiums" begins the play.
JANE
What the Hell...
DARIA
(ducking out of view, not becoming visible again until she's replaced her towel)
I don't think we're alone here.
85 CUT TO: DARIA and JANE.
JANE
Huh?
DARIA
(taking the radio)
Give me that!
DARIA moves the radio back and forth, listening for when it switches back and forth from music to feedback. Soon she finds it loudest by her locker and switches it off.
DARIA
(handing the radio back to JANE)
I think we got a bug.
JANE
I told them they don't spray in here enough.
86 CUT TO: INT. DARIA'S LOCKER, FACING OUTWARD.
DARIA looks in the door, giving a great view of her cleavage.
DARIA
(looking around)
Bugs often transmit on radio frequencies. Radios and TVs sometimes pick up those frequencies, causing a feedback loop. Here we are...
(grabs camera)
87 CUT TO: INT. GIRLS' LOCKER ROOM.
DARIA
What kind of a pervert bugs the girls' locker room?
JANE
Someone who likes looking at naked young women who's too lazy to do a search on-line?
DARIA
Get serious.
JANE
Sounds like the kind of stunt Upchuck would pull.
DARIA
Upchuck? As in "Charles Ruttheimer the Third"?
JANE
Sweetie, remind me some time to tell you how he got kicked out of prep school.
DARIA
That sicko tried to sleep with me at Brittany's party.
JANE
Fortunately you're already spoken for. Or are you...
DARIA
Jane--
JANE
Sorry. He must really have a crush on you.
DARIA
And to think I just did a striptease for him.
JANE
With a chest as good as yours, you probably gave him a heart attack. Want to flush it down the toilet, or would you rather put it in Sandi's locker?
DARIA
(taking a boot out of her locker, placing bug on bench)
Better still...
(smashes bug with heel of boot)
88 INT. LAWNDALE HIGH SCHOOL, CAFETERIA.
DARIA (with her reading glasses on) and TRENT are discussing calculus.
DARIA
... And that's how you do integration by parts.
TRENT
(slaps self on forehead)
It all seems so simple now.
DARIA
It is--if you get used to it.
TRENT
That's not the only thing I could get used to.
89 CUT TO: ANOTHER TABLE, where the entire Fashion Club are staring at DARIA and TRENT in horror.
QUINN
That is creepy. I can't believe he's been acting this way since he was a sophomore. Monique, OK. Andrea, maybe. But Daria? He must have a loose screw in his head.
SANDI
I wouldn't be so concerned except that he is otherwise extremely cool. We cannot let such a guy slip away from us.
QUINN
Especially a musician. That is, like, too cool to give up without a fight. But if he's been like this for two years, he's got to see something in Daria that he's not seeing in any of us.
STACY
Maybe he's got some sort of natural look fetish. There are some guys, strangely enough, who think eye-shadow and mascara look, like, weird and like the natural look much better.
SANDI
Daria doesn't have a natural look; if she wanted it, she would have, like, ditched those reading glasses and gotten contacts long ago, like Quinn should have.
QUINN
Hey! I told you, I did not lose a contact last night! Daria was lying!
TIFFANY
Maybe Trent had a bad experience with someone popular.
SANDI
Hey! I didn't do anything to him that I hadn't done to any other guy before!
TIFFANY
Sorry!
QUINN
Or maybe he just doesn't know that one doesn't have to be a nerd to be smart.
SANDI looks at QUINN as if she's a space alien.
QUINN
What? Just because I'm popular doesn't mean I'm an underachiever.
SANDI
You never struck me as the brainy type before.
QUINN
It's a great way to keep my parents off my back. As long as I keep my GPA up, they're like putty in my hands.
STACY
Can you teach me how to be smart, Quinn? My parents can be such pains in the neck that--
SANDI
Enough!
(to QUINN)
Perhaps you should try correcting Trent's misconceptions about popular people.
QUINN
I can't recommend us pursuing him right now--he'd just turn us down. But we can poison his relationship with Daria. All we have to do is wait for the opportunity to present itself...
90 INT. LAWNDALE HIGH SCHOOL, HALLWAY.
Between classes students are mulling around. DARIA and JANE are walking down the hall.
DARIA
If I ever see Upchuck again, I'm going to tear his head off.
JANE
Go ahead, sweetie, he's right over there.
91 REVERSE ANGLE TO: UPCHUCK AT HIS LOCKER.
He sees DARIA and JANE, smiles, and winks at them.
92 REVERSE ANGLE TO: PREVIOUS.
JANE
In the mood for some murder today, hon?
DARIA
Actually, in his case, it would be justifiable homicide. Come on.
JANE
You going to do what I think you're going to do?
DARIA
Just follow my lead, babe.
JANE
(gleefully)
Goodie!
DARIA and JANE approach UPCHUCK, one on either side of him. Both put on smiles and look longingly at him.
DARIA
Hey, Charles.
UPCHUCK
Well, Hello, ladies. And how are you two doing today?
DARIA
Quite well. Aren't we, Jane?
JANE
Oh, yes. And how are you doing, Charles?
UPCHUCK
Feeling quite well, thank you. Never had a fitter day in my life.
DARIA
(smiling wider)
Good.
(beat)
I think I'm in the mood for someone who's fit. Someone with a lot of endurance.
JANE
You know, me too, Daria. You know, Chuck, all day I've been unable to think of anything other than
(whispers something into UPCHUCK's ear)
UPCHUCK blushes.
DARIA
(fingering UPCHUCK's collar)
Jane, you're going to give the poor boy a testosterone overdose!
UPCHUCK
Now, ladies, there's plenty of Ruttheimer to go around.
DARIA
I was hoping you'd say that.
(beat)
Ready?
UPCHUCK
Oh, yes, my darlings! I'm always ready.
JANE
Excellent. Follow us, Chucky.
DARIA and JANE depart. After a beat, UPCHUCK goes running after them.
93 CUT TO: EXT. LAWNDALE HIGH SCHOOL, BACK.
DARIA and JANE are strolling in back of the main building, UPCHUCK following closely. A dumpster is visible in the direction they are moving.
UPCHUCK
Are we there yet, my lovelies?
DARIA and JANE stop before the dumpster, UPCHUCK before them as they turn and face him.
DARIA
Oh, we're here, darling. Tell me, Charles: do you like to watch?
UPCHUCK
Excuse me?
JANE
You were the one who bugged Daria's gym locker; weren't you?
UPCHUCK
(nervous)
Well, uh...
DARIA
You can tell us, Charles. It turns me on.
UPCHUCK
You can't blame me for having a fine aesthetic sense, can you?
JANE
Of course not. And you liked what you saw; didn't you?
UPCHUCK
My darlings, I have rarely seen such perfection outside of the air-brushed pages in magazines!
DARIA
I think that's what we wanted to know. Ready, Jane?
JANE
Ready, Daria.
UPCHUCK
Huh? Hey!
DARIA and JANE pick up the screaming UPCHUCK and toss him in the dumpster. They look at each other with satisfaction.
JANE
That was fun. We should do it again some time, cutie.
DARIA
(as she and JANE begin to walk away)
Kevin's been giving me looks. Maybe if he keeps it up...
UPCHUCK
(from dumpster)
Ooh! Feisty!
94 INT. LAWNDALE HIGH SCHOOL, DIANE BENNETT'S ECONOMICS CLASS.
At the front of the classroom MS. BENNETT can be seen making a confusing diagram on the board with a lot of Xs, Os, and arrows between them. The class is full and includes JODIE, KEVIN, and TOMMY. DARIA can be seen in the back next to JANE, while QUINN is sitting in the front, looking a bit too attentive.
MS. BENNETT
... for necessities the consumption doesn't change much even though the price may go up considerably. Products like this are said to be inflexible...
JANE
(hushed, to DARIA)
You get what those diagrams mean? None of us ever did.
DARIA
(hushed, to JANE)
I think the Xs are supposed to be consumers and the Os consumer-eating dinosaurs, but I could be mistaken.
JANE
(hushed, to DARIA)
Probably so, sweetie. What you described sounds like something from one of Barch's lectures.
MS. BENNETT
(continuing to talk over them)
... compared to their consumption when prices are low. Products like these are said to be flexible. Now, let me show you something...
MS. BENNETT switches on an overhead projector. Superimposed over the text is an irregular ring. Everyone but QUINN looks a bit confused.
MS. BENNETT
What the--
MS. BENNETT looks at the projector, finding on it is a coiled snake. Suddenly she jumps back, screaming, and much of the class follows her running out of the room. TOMMY and KEVIN look particularly freaked out as they run from the snake. QUINN is strutting out, calm, smiling. JANE and DARIA straggle, not really convinced running is warranted.
JANE
You were worried about this place being boring; weren't you, sweetie?
DARIA
Something's not right. How did a snake get in the building?
JANE
They let in Upchuck; didn't they?
95 CUT TO: INT. LAWNDALE HIGH SCHOOL, HALLWAY.
MS. BENNETT is still flipping out, leaning against the wall and hyperventilating while JODIE attends to her. A few other students, including KEVIN and TOMMY, are in a similar condition, but most are just enjoying not being in class. JANE pokes her head out the classroom door.
JANE
Guys! You can come back in here now. The whole thing was a fake.
The students look confused but start filing back in to see DARIA holding the snake disdainfully by the tip of its tail. It has assumed an unnatural helical shape and is unquestionably motionless.
DARIA
A rubber snake, and not a very good one either.
(bangs the snake's head against the edge of a desk)
See, it's not alive. This is someone's stupid idea of a prank.
JODIE
Quinn, what are you pulling?
QUINN
(playing innocent)
Me? Why would I do something like this? I hate snakes!
DARIA
But probably not latex.
JODIE
(to DARIA)
I'm sure she carries plenty of that. Otherwise she'd be showing by now.
QUINN
What!?
JANE
(to JODIE)
Exactly. I'm supposed to be saying lines like that.
MS. BENNETT
(reentering the room; repeating to herself)
It's just a rubber snake; it's just a rubber snake; it's just a rubber snake...
(sees DARIA holding the rubber snake)
SNAKE!
(runs out of room screaming)
96 INT. LAWNDALE HIGH SCHOOL, JANET BARCH'S SCIENCE CLASS.
MS. BARCH is the science teacher, angry, hardened by experience, brimming with fury, ready to take it out on anyone remotely like those who've wronged her. DARIA (with reading glasses), BRITTANY, UPCHUCK, MACK, JODIE, and KEVIN, among others, are present besides MS. BARCH.
MS. BARCH
This year every student will be expected to do a science project in which they will be divided into groups of two and attempt to do an experiment. And I mean an experiment, not a report. That means you cannot make a volcano or model of the Solar system.
KEVIN raises his hand.
MS. BARCH
Yes, Kevin?
KEVIN
Can I make a clay model of a dolphin?
MS. BARCH
No, you idiot scum! That's not an experiment!
(calmer)
Kevin, Daria will be your lab partner.
BRITTANY
What!?
MS. BARCH
(to DARIA)
Keep an eye on the boy and make sure he learns something.
BRITTANY
But, Ms. Barch, Kevvy and I have never been separated on a lab project before!
MS. BARCH
Ah, who cares? You'll be better off without him, the slime-ball. Charles will be your partner, Brittany. From him you'll learn faster why all men are scum.
BRITTANY
But, Ms. Barch, he's disgusting!
UPCHUCK
I'm ready to put aside my disgust if you are.
KEVIN
(to DARIA)
Psst! I'll pay you to do my part of the work.
DARIA
Don't even think of dumping everything on me, you creep.
MS. BARCH
Shut up, Mack!
MACK looks surprised.
97 INT. LAWNDALE HIGH SCHOOL, CAFETERIA.
At one table, DARIA, JANE, ANDREA, TRENT, and JESSE are talking, the first two sitting right beside each other, the others across from them with ANDREA between the two guys. DARIA's elbow can be seen brushing against JANE's.
DARIA
... So now Kevin's my lab partner.
ANDREA
My condolences.
JANE
Next best thing to working alone.
DARIA
I know. He offered to pay me if I did his half of the work.
TRENT
Don't worry about it; last year Ms. Barch stuck me with Brooke as a lab partner. Once I figured out how to manipulate her, it was easy enough to make her do her share of the work.
JESSE
Maybe you could get a squeeze toy to distract him.
DARIA
That would defeat the whole point of torturing him by making him do his fair share. Besides, his squeeze toy is working with Upchuck.
JANE
(sighs)
Poor Upchuck.
DARIA
Poor