(:

Daria
in
“New Nightmare”
(or “Hitman, Baby, One More Time”)
Completely on-canon edition
by Aaron Solomon (ben Saul Joseph) Adelman




SHOT OF TELEVISION SCREEN.

A photo of Daria and Trent appears on the screen.



SUPER:  DARIA MORGENDORFFER AND TRENT LANE

ANNOUNCER
(out of view)
He’s a nearly broke rock musician.  She’s a high-school brain who had a crush on him but could never tell him she loved him.  What drove them to run off to Las Vegas together to get married?  On the next Sick, Sad World.



CUT TO:  THE MORGENDORFFER LIVING ROOM ON THE TELEVISION SCREEN.

Jake, Helen, and Quinn are sitting on a sofa.

SUPER:  JAKE, HELEN, AND QUINN MORGENDORFFER:  DARIA’S FAMILY

JAKE
I knew it!  That no-good, lazy bum was trying to get into Daria’s pants from the first time I saw him!  What the Hell is she thinking, ruining her future like this?

HELEN
Jake, settle down!
(calmer, to camera)
Please, Daria, we’ll try to understand.  Don’t abandon everyone who loves you needlessly.  If you really love Trent, we can accept him as a son-in-law.  All we want is for you to come home.

QUINN
This doesn’t make any sense!  I’m the cute and popular one!  She’s just a brain!  Why don’t any hot musicians want to run away to Las Vegas with me?

Jake and Helen give Quinn a look of disapproval.

QUINN
(offended)
What?



CUT TO:  THE LANE LIVING ROOM ON THE TELEVISION SCREEN.

Jane is sitting in a chair.

SUPER:  JANE LANE:  TRENT’S SISTER

JANE
It doesn’t make any sense.  Daria’s had a crush on Trent for some time now, and I know Trent likes Daria, but this isn’t anything like either of them.  I couldn’t get the two of them to go out on a date, much less run off to elope.  Daria never does anything impulsive.



CUT TO:  MONIQUE’S APARTMENT ON THE TELEVISION SCREEN.

The apartment is decorated with a lot of rock music paraphernalia.  Monique is sitting on a sofa and looks very cross.

SUPER:  MONIQUE MARTIN:  TRENT’S FIANCÉE

MONIQUE
I’m going to kill that redhead, pseudointellectual bimbo, Daria!  She stole my fiancé!  The rumors about her trying to get her grimy paws on Trent really were true!



FREEZE SCREEN.

DARIA
(voice over)
OK, it sounds bad.  It sounds very bad.  But it’s not what you think.  It’s something worse, much worse.



CUT TO:  INT. A PUB.

Besides the usual crowd, bartender, waiters, etc., there are also two performers.  One is a neatly dressed man with light brown hair and a heavy beard, in plaid and khakis, playing an acoustic guitar.  The other, playing a synthesizer, looks amazingly like Brittany, complete with a “civilian” version of a Lawndale High cheerleading uniform, but the facial features are wrong.  She has sunglasses pushed up in her hair.  She is clearly pregnant.  The song they are performing is the Doors’ “L.A. Woman”.



FREEZE SCREEN.

DARIA
(voice over)
If you’re wondering, that’s me and Trent, and yes, I’m carrying his baby.  And that’s still not the worst of it.



CUT TO:  EXT. DEGA STREET.

Daria gets off of a bus, which soon drives away.  Daria starts off down the street.

SUPER:  AUGUST

DARIA
(voice over)
It all started on my nineteenth birthday 1 , which was during the summer between high school and when I should have started college.  My family was preparing to throw me yet another horribly boring birthday party of the kind that makes pulling teeth seem preferable, the kind of nauseating affair with cheery streamers and confetti that my parents had thrown every year of my life—sometimes even on time—out of guilt for neglecting me or in a foolish attempt to bond with me.  I didn’t want to go over to Jane’s either, fearing that she would force me down into the basement and make me tell Trent how I felt about him—or something even worse.  I no longer had the excuse that I had a boyfriend, my relationship with Tom being over, and, as Jane suspected, my crush on Trent was reemerging—despite the fact that I expected any romantic relationship I might have with him to be an unqualified disaster.  Needing some escape, I took the opportunity to take care of a much needed chore…

Trent drives up to the curb in his car.

TRENT
Hey, Daria.

DARIA
(blushing)
Hey, Trent.

TRENT
What brings you to this part of town?

DARIA
(mumbles)
Clothes shopping.  I was afraid if I stayed home my parents would throw me a party, and I needed some new clothes anyway. 2

TRENT
Oh, yeah.  It’s your birthday.  Happy birthday.

DARIA
Thanks.

TRENT
Tell you what:  I’m going to get some new strings for my guitar, and there’s a retro clothing store nearby.  How about I buy you something you’ll look good in there?

DARIA
You really don’t have to do that.

TRENT
You’re like part of the family now.  It wouldn’t be right if I didn’t get you something.  I was also thinking about getting you a tattoo.

DARIA
I’m starting to like this clothing idea.
(gets in Trent’s car)
Let’s go.



FADE TO:  EXT. DEGA STREET, RETRO CLOTHING STORE.

Daria and Trent come out of the clothing store, Daria carrying a bag, and start down the street.

TRENT
Any idea where you want to go next?

Daria and Trent pass by an alley.

DARIA
I was thinking—

VOICE
(out of view)
Please!  Don’t hurt me!

DARIA
(stopping)
Stewart?

Daria, soon followed by Trent, reverses course and peeks down the alley.



CUT TO:  ALLEY.

Stewart Stevenson, handcuffed, is being held against a wall by Beavis and Butt-Head, both of whom are wearing suits.  Todd, now clean-shaven and wearing a three-piece suit, has a gun to Stewart’s forehead. 3   A police officer 4 stands by with a look of sheer sadism on his face.

TODD
So you thought you could escape me?

STEWART
Um, er…

TODD
When are you going to learn that no one gets out of my gang alive?  You ought to have known better than to have gone to the cops for protection; Alfred here’s on the payroll.  Now die.

Todd shoots Stewart in the head, the gun’s sound muted by a silencer.

TODD
You three know what to do with the body.

Beavis and Butt-Head giggle.

BEAVIS
Fire!  Fire!

Todd turns to leave and sees Daria.

TODD
Damn it!  It’s that Morgendorffer girl!

Todd fires his gun.  A brick in the wall by Daria and Trent, hit by the bullet, shatters.  Daria drops her bag, and she and Trent run off.

TODD
Damn it!



CUT TO:  EXT. DEGA STREET.

Daria and Trent run down the street and get in Trent’s car.  Todd arrives and fires as Trent starts the car.  Three bullets hit the side of the car with loud thwacks!  The car drives off before Todd reaches it.

TODD
Damn it again!



INT. TRENT’S CAR.

TRENT
Who the Hell was that?

DARIA
Todd Ianuzzi.5   He was a small-time thug back in Highland.

TRENT
He must have moved up the thug scale a notch or two.
(beat)
Aw, Hell.  He’s following us.



CUT TO:  REARVIEW MIRROR.

A red BMW, driven by Todd, is approaching quickly.



CUT TO:  THE STREETS OF LAWNDALE.

Trent’s car, followed closely by Todd’s, weaves through traffic, making many turns in a futile effort to lose the pursuer.  Trent’s car soon comes to the guardhouse at the entrance to Crewe Neck 6 and smashes through the bar blocking the road.

RENT-A-COP IN GUARD-BOOTH
Hey!  You can’t do that!

Todd’s car follows Trent’s car into Crewe Neck.

RENT-A-COP
Aw, Hell!



INT. TRENT’S CAR.

DARIA
Uh, Trent, what are you doing?

TRENT
Something Curtis Delano told me about a few years back.



EXT. THE STREETS OF LAWNDALE.

Trent’s car, with Todd’s car still following, drives through Crewe Neck, past the house of the director of public works, and onto the unstable landfill. 7   Without warning, the ground underneath Todd’s car collapses.  Todd exits his car as it sinks into the earth.  Seeing Trent’s car drive off, he stomps angrily and sinks up to his knees.



INT. TRENT’S CAR, GETTING BACK ONTO SOLID ASPHALT.

DARIA
Trent, how did you know where to drive without sinking?

TRENT
Actually, I didn’t.  I just didn’t have a better idea what to do.

DARIA
Oh.  Remind me to yell at you later.
(beat)
Trent, where are we going?

TRENT
Um, I’m not sure yet.  I don’t think it’ll be to the police.

DARIA
Agreed.  Not when Todd has a cop working for him.
(swallows)
Why don’t you just let me off on the side of the road.  Todd only seemed to notice me overhearing him.  If so, he doesn’t know you were there, so he won’t go after you.

TRENT
Hell, no.  I’ve known you for, what, three years?  I care too much about you to leave you to die.  If this Todd character wants to kill you, he’s going to have to kill me first.

DARIA
That’s nice of you, but—

TRENT
And I’m not taking “no” for an answer.

DARIA
(uneasily)
OK.

TRENT
Now, the first thing we need to do is buy a shotgun, find out where this Todd guy lives, and—

DARIA
Trent, have you ever fired a gun before?

TRENT
Um, no.

DARIA
That automatically makes Todd a better marksman than you.  Not to mention that he has people working for him, no doubt trained in the use of firearms.  If you try killing Todd in Highland, you’ll probably get killed yourself, and I don’t want to see that happen.
(with difficulty)
I care about you, too, Trent.



INT. CATHERINE’S WORLD FAMOUS PIZZA—NIGHT.

Daria and Trent are sitting at a table, finishing off a pizza.

SUPER:  FOUR HOURS AND 250 MILES LATER

VOICE
Daria?  Is that you?

TRENT
(softly)
Damn.

DARIA
Aunt Rita?

Rita Barksdale approaches.  Daria stands up and is briefly embraced by her aunt.

RITA
Daria!  It’s good to see you again!

DARIA
(insincere)
It’s good to see you, too.

Daria sits down again.  Rita sits down in an unoccupied chair.

DARIA
Oh, this is Trent Lane.

TRENT
Hey.

RITA
Hello.

DARIA
What are you doing here?  I thought you were in France.

RITA
That was a waste of time, so I came back to the States early.  I’m just passing through here on the way to Highland for a conference. 8   But what are you doing here?  I thought today was your birthday and you’d want to be home with your parents and sister in Lawndale.

DARIA
It is my birthday, but we happen to be on the run from the Mafia, so we’ll be missing the party.

RITA
I know you’ve got Amy’s bad attitude, but what are you really doing here?

DARIA
We are on the run from the Mafia.

RITA
I don’t see why you can’t tell me the truth.  Even Amy isn’t this bad.

TRENT
We’re running off to Vegas to get married.

RITA
My Lord!

DARIA
(deciding to play along to see how gullible Rita is)
You heard him.  Trent and I are madly in love, and we’re going to Las Vegas to get married.

RITA
Shouldn’t you wait until after college?  I mean:  I married early, but even I waited until after—

DARIA
You didn’t wait until after college, Aunt Rita, and why should I?  I’ve spent my whole life waiting, being “the good daughter”, working hard in school, being quiet, and avoiding trouble.  And for what?  Parents who don’t notice me unless I misbehave?  Constant depression while Quinn “the bad daughter” gets all the attention and has all the fun?  Why shouldn’t I get to do things like this?

Daria grabs Trent and sucks face with him.  Trent keeps his cool and plays along.

RITA
Daria!

Daria and Trent reluctantly come out of lip-lock.

TRENT
Do you have a problem with us being together?

RITA
No, but… this is so sudden.  I didn’t even know you were dating.  I know Helen and Jake can be dense, but is running away really going to help?

DARIA
I’m tired of putting up with my parents!  It’s time I did something to make myself happy!  Screw Helen!  Screw Jake!  Screw that monster Quinn!  And if you have a problem with what we’re doing, screw you, too!  There’s nothing you or they can do about it!

Daria storms out of the restaurant, followed closely by Trent.

RITA
(to herself)
Good one, Barksdale.



EXT. FAST FOOD RESTAURANT.

TRENT
Wow.  That was some great acting you did in there.  I wasn’t expecting you to play along like that.

DARIA
Trent, I have to tell you something:  I wasn’t totally acting in there.

TRENT
You mean you really are depressed?  Whoa.  I just thought you were cynical.

DARIA
No, I am cynical.  It’s just that
(swallows)
I love you.

TRENT
I love you, too, Daria.  You’re like part of the family.

DARIA
I mean romantically.

TRENT
(stunned)
Oh.

DARIA
Trent?

TRENT
Sorry.  I wasn’t expecting that.

Trent and Daria get in Trent’s car and drive off.



CUT TO:  THE MORGENDORFFER HOUSE, LIVING ROOM.

There is a banner on the wall reading “HAPPY BIRTHDAY, DARIA”.  Jake, Helen, and Amanda are setting up brightly colored streamers.  (You were expecting Vincent Lane to be in town, perhaps?)  Nick, Jesse, and Max are setting up for a performance.  Jane is putting the finishing touches on an all-black cake (cf. Star Trek:  The Next Generation ).  A goth is slipping alcohol into a punch bowl.  Monique is lounging impatiently on the couch, looking with disgust at one of Quinn’s Waif magazines.  Brittany (dressed in a blue baby T-shirt and a matching miniskirt) is boring Jodie to death, and Mack is quietly berating a very depressed Kevin (dressed in jeans and a T-shirt) for being an idiot.  Upchuck is sitting on a sofa with a blond-haired woman who physically resembles Daria and is dressed like a stereotypical librarian (including the glasses and with her hair in a bun); they are holding hands, and she very shyly kisses him.  A couple of characters who look like people from “Depth Takes a Holiday”, only more normally dressed, are milling about.

JANE
You know, Monique, you really don’t have to be here.  You barely know Daria.

MONIQUE
I’d rather be on the safe side.  I’ve heard some things about her.

JANE
What sort of things?

MONIQUE
About her and Trent.  Strange things about her dating him behind my back—or something more serious,
(gestures)
like what Upchuck and Eunice have been doing.

JANE
Kissing?

MONIQUE
It’s a lot more serious than that.  Trust me:  you do not want to know what I walked in on yesterday.
(shudders)

JANE
You’re being paranoid.  Daria’s not going to go after Trent as long as you’re in the picture.  Though they would make a cute couple…

MONIQUE
Hmph!

A phone rings.  Quinn enters the room and answers it.

QUINN
(into phone)
Hello?



SPLIT SCREEN WITH RITA IN CATHERINE’S WORLD FAMOUS PIZZA AT A PAY PHONE.

RITA
(into phone)
Quinn, it’s me, your aunt Rita.

QUINN
(into phone)
Oh, hi, Aunt Rita.  I know you want to talk to Daria, but she’s not here now.  You could try back in—

RITA
(into phone)
I just talked to her, Quinn.  She’s running off with someone called Trent Lane to Las Vegas to get married.

QUINN
(into phone)
That’s not funny.  Daria doesn’t act like that.

RITA
(into phone)
I’m serious, Quinn.  She complained about your mother, your father, and you, and she said she was madly in love with this Lane guy and that they were going to Las Vegas to get married.  I mean:  she actually kissed this grungy guy in front of me and yelled, “Screw Helen!  Screw Jake!  Screw that monster Quinn!”  I didn’t know she could be so emotional.

QUINN
(into phone)
What would Daria be doing in Leeville?  You know she doesn’t like you.  Why would she bother visiting?

RITA
(into phone)
I’m not in Leeville.  I’m in a small town called Micro about 250 miles west of Lawndale.  We met at a pizza place.

QUINN
(into phone)
So my brainy sister ran away with this rock musician who’s in love with her?

RITA
(into phone)
I didn’t catch what he does for a living.

QUINN
(into phone)
Excuse me a moment.



SMASH CUT TO:  EXT. THE MORGENDORFFER HOUSE, AERIAL VIEW.

Quinn can be heard screaming at the top of her lungs.



INT. HOTEL ROOM.

Enter Daria and Trent.  Trent turns on a light.

DARIA
I’m sorry, Trent, if it makes you uncomfortable.
(closes door)
If we’re going to be together for who-knows-how-long, you were going to find out sooner or later.

Trent wordlessly collapses in a chair.

DARIA
(sitting down in another chair)
Look, I have trouble expressing positive emotions.  I had trouble doing it with Jane, too.  I could barely tell my own family I loved them.

TRENT
It’s not that.

DARIA
Then what is it?

TRENT
This is all too weird.  I’ve liked you for a long time now, but the idea of something like dating you never seriously occurred to me.  Oh, sure, Janey kept telling me to take you out somewhere all the time, but I thought it was a running joke.  She kept telling me to date this friend of hers who moved away before you came to Lawndale, and she didn’t even like me. 9   And now I find out it’s not a joke at all… And if that’s not enough of an adjustment to make, you’re probably the only one I’ll be able to socialize with anytime soon.  I don’t think any less of you, but this will take some time to get used to.

DARIA
OK…



EXT. DOUGHNUT SHOP—MORNING.

Daria and Trent come out of the doughnut shop and head towards Trent’s car, parked outside.

TRENT
Come on, Daria.  Give me a break.  I’m never up this early unless I’ve been awake all night.

DARIA
Tough.  You didn’t want to abandon me, so you’d better get used to doing whatever it takes to survive on the run, and that means we don’t lounge around in bed until noon, because the more we move around, the harder it is for Todd to catch us.  I’m sorry, but for the forseeable future, we’re going to be on the road every day by nine AM.

TRENT
(sighs)
Fine.  Any idea where to go from here?

DARIA
Well, I always wanted to see….10
(freezes in her tracks)

TRENT
What?

DARIA
(points)
Over there.



CUT TO:  ANGELINA AND TATUM, TWO MAFIA HITWOMEN, STANDING IN FRONT OF A NEARBY CLOTHING STORE.

Angelina and Tatum are showing a picture to a shopkeeper.

DARIA
(out of view)
Angelina Hunter and Tatum Alexander.  They’re from Highland. 11

TRENT
(out of view)
And judging from their behavior, they could be looking for you.  I say we leave now before we find out.

DARIA
(out of view)
Agreed.



CUT TO:  DARIA AND TRENT.

They get into Trent’s car and drive away.



INT. TRENT’S CAR.

DARIA
There just went the hope that Todd wouldn’t send anyone after me.

TRENT
It could still be a coincidence.

DARIA
It would have to be a pretty big coincidence.  Todd must have somehow gotten some idea of where we were from Rita.

TRENT
You think she called your folks?

DARIA
Probably.  I wouldn’t put a wiretap past the “new, improved” Todd.



CUT TO:  INT. A SNAZZY OFFICE.

Todd sits behind a desk, talking to Louis Brooks12 , a Mafia bureaucrat.

LOUIS
I just can’t take it, sir.  No one can.  I started on wiretapping the Morgendorffers yesterday, and it’s already driving me crazy.  First there’s the younger sister, Quinn—she talks on and on endlessly about fashion for hours—and now the mother can’t shut up about law cases.  Frankly, I’m already worn out, and my assistant’s ready to mutiny.

TODD
Damn.  OK, get Beavis and Butt-Head to help you out.  They’ll listen to anything.

LOUIS
Thank you, sir.



CUT TO:  INT. TRENT’S CAR.

TRENT
So they know we’re around here, and they probably know what you look like.

DARIA
Correct.  So let’s just get the Hell away from here.

TRENT
That won’t solve the second problem.

DARIA
I know.  But I don’t want to think about it right now.  I hate makeovers.  Talk to me about it in one or two hundred miles, OK?

TRENT
Well, if you want any suggestions, you would look hot with a navel ring—

DARIA
Please don’t go there.

TRENT
Why?

DARIA
(mumbles)
I might not be able to resist.



INT. CASHMAN’S.

Quinn is looking through the racks, hoping to forget her new-found problem by shopping.  Sandi approaches.

SANDI
Quinn, where’s your sister?  I hear she didn’t show up for her own birthday party yesterday.

QUINN
She’s, uh, been feeling sick.  She thinks she’s got something contagious.

SANDI
That’s not what Stacy told me.

QUINN
(softly)
Damn blabber-mouth.

SANDI
She said Daria ran off with a rock guitarist.  Is this true?

QUINN
(looks Sandi straight in the eye)
Yes.  She ran off with Jane Lane’s older brother Trent to Las Vegas to get married.

SANDI
I sympathize with you totally.  This is a really sad day for the former members of the Fashion Club.   Do you know what sort of awkward position this puts us in?  We are having an emergency meeting this afternoon for damage control.  You’re supposed to be much cuter and more popular than your sister.   We really feel your pain, and we’re determined to put a positive spin on this somehow to preserve your honor.   Do you know how bad it looks when a musician falls in love with your geeky sister and not you? 13

QUINN
Hey!  I turned him down!  Yeah, he was sort of cute, but he was too messy to go out with.  How was I to know they were going to fall in love and elope?  Or maybe, unable to obtain the pinnacle of perfection, he settled for second best.

SANDI
Daria is not second best.  We all have to learn to live with the shortcomings of our relatives.   There’s no crime in having a sister who is the plainest person in Lawndale.

QUINN
She’s not plain.  She’s just… not showy.  She could look as good as I do if she wanted to.

SANDI
Daria looking good?  Don’t fall into the trap of denial, Quinn.  That’ll never happen.



INT. HOTEL ROOM.

Trent, in plaid and khakis, his hair dyed light brown, his earrings gone, sits on the bed, facing a closed bathroom door.

TRENT
Daria?

DARIA
(out of view)
I think I’ll just stay in here until Todd dies.

TRENT
You can’t stay in there that long.  You’ll starve.

DARIA
(out of view)
Then get me some strychnine.  I’d rather die than go outside looking like this.  I can’t see why anyone dresses in clothes like these.  I feel naked.

TRENT
Really?  Uh, it can’t be that bad.

DARIA
(out of view)
You’d better have some of that beer left over from that six-pack, because I’m going to need it to keep from locking myself in here forever.

TRENT
I didn’t know you drank.

DARIA
(out of view)
I took one look at myself in the mirror and decided to start.
(beat)
OK, here I come.
(beat)
I can’t do this!  I’m showing too much leg, and there’s no question as to what I’m shaped like.  I feel cheap.

TRENT
You have to come out, Daria.

DARIA
Promise me you won’t laugh.

TRENT
It can’t be that bad.

DARIA
(out of view)
Promise me!

TRENT
I promise.

DARIA
(out of view)
OK, here I come.

The bathroom door opens, revealing Daria.  Her hair is now blond and done up in pigtails, she is wearing a “civilian” version of a Lawndale cheerleader uniform, and she no longer appears flat-chested.  She actually has makeup and nail polish on.  Except for the glasses, she looks a lot like Brittany.

TRENT
Whoa.  You look…
(can’t find the proper word)

DARIA
Like a bimbo?

TRENT
Hey, you’re beautiful, stunning actually.  You ought to turn a lot of heads.

DARIA
Do you think I don’t know I’m beautiful?  I’ve been trying to hide the fact so morons don’t drool over me.
(turns to exit the room)
Since my life is over, I think I’ll just hide in the bathroom.

TRENT
(grabbing Daria’s arm)
Forget it.  You chose the outfit.

DARIA
(unconvincingly)
They didn’t have anything else which fit me and went together at the thrift store.

TRENT
Well, unless you want to risk looking as you normally do in public again, you’re dressing like that.

DARIA
Lucky me.  Just call me the misery ditz.  And my original hair color fits the profile just perfectly.  Now give me that beer.

TRENT
Wait a minute:  I thought your hair was supposed to be red.

DARIA
It’s not.  I’ve been dyeing it since, well, it seems forever, since people usually associate being blond with being stupid.  I even doctored old pictures—even videotapes—of me so no one would know.  The only reason my parents went along with it is because they considered it “a positive step in opening up in front of other people”, whatever the Hell that’s supposed to mean.  I want that beer now.

TRENT
Just a minute.
(fishes in his pocket and pulls out a wedding ring)
You’re also going to want to put this on so guys don’t hit on you.
(hands ring to Daria)

DARIA
(examining ring)
You must have spent a lot of money to afford one with rhinestones.  I feel so unworthy.

TRENT
You didn’t complain about me signing us in the register as “Mr. and Mrs. Trent Lane”.

DARIA
(puts on ring)
Shut up and give me that beer.

Trent hands Daria a can of beer.  She opens it, takes a sip, and spits it back out.

DARIA
Ugh!  How can you drink this stuff?  This is worse than my father’s cooking…



FADE TO:  LATER.

Daria and Trent are sitting on the bed.  Trent has a beer can in hand and is sounding a bit tipsy.

TRENT
Come on, try it again.  If we meet Tatum and Angelina face-to-face, you don’t want to talk to them in a monotone.

DARIA
(way too nasal)
Hi!  My name is Lola, and I’m a cheerleader!

TRENT
No, no, no!  Stop speaking through your nose.

DARIA
(better)
I don’t really think that’s something you can teach.

TRENT
Better, but you don’t sound like any bimbo I’ve met.

DARIA
(adding a slight wail)
Is Cashman’s really having a one-day sale?

TRENT
Much better.

DARIA
(adding squeaking)
You know, I could never talk like this before.  Brittany tried to teach me how to talk like this so I could read to seniors at a nursing home without them wanting to kill themselves, but it didn’t work.

TRENT
(takes a drink)
I can’t imagine a cheerleader knowing much about sound.

DARIA
(puts her arms around Trent’s neck)
I bet you know about a lot of other things besides sound.

TRENT
Daria…

DARIA
When I kissed you yesterday, you seemed to know what you were doing.

TRENT
I know we’re a bit drunk, but—

Daria gives Trent a very passionate kiss.

TRENT
Wow.

DARIA
I’m not drunk, Trent.  I had one sip and spat it back out. 14

TRENT
But still—

DARIA
Right now I’m doing six things severely out of character for me.  I had to break a lot of inhibitions to do this, which doesn’t exactly make me feel good about myself, so if I’m going to be in Hell, I might as well top it all off with doing something else severely out of character for me that I’ve been wanting to do since Alternapalooza.  This is our wedding night, after all.

TRENT
Huh?

Daria points to her wedding ring.

TRENT
Daria, that’s just so stupid jerks leave you alone.  And I could get you pregnant!

DARIA
Trent, I had my period two days ago.  You’re not going to get me pregnant.  And even if you do get me pregnant, we’ll probably be dead in a few days anyway, so what does it matter?  We might as well enjoy ourselves while we still can.  I know I want you, and Jane’s told me a lot that you have a thing for brainy, sarcastic women.

Trent puts down his drink and commences serious making out with Daria.



FADE TO:  LATER—MORNING.

Daria and Trent are asleep in bed together, Trent lying on top of Daria.

DARIA
(her eyes still closed, moans with pleasure)
Ooh, Trent.  That was…

She opens her eyes and notices what position she and Trent are in.

DARIA
Oh, God, I did do it.  My dream really did come true.



SMASH CUT TO:  EXT. HOTEL.

Daria screaming at maximum volume can be heard.



INT. HELEN’S OFFICE.

Helen is talking on the phone while Marianne types on a computer.

HELEN
(into phone)
I don’t care what he said!  I submitted that affidavit!

Enter Eric.

ERIC
Helen!  What’s this I hear about you taking a vacation now?

HELEN
(into phone)
Hold on a minute.
(to Eric)
I explained it in the memo.

ERIC
But it’s so soon!  How are we going to handle all the work?  We’re already working near full capacity.

HELEN
I tried calling every wedding chapel I could in Las Vegas, and all that happened was I got laughed at.  My husband and I are taking a flight out there this evening, and if you have a problem with it, I’m quitting this law firm and taking a sizeable fraction of the staff and clientele with me.  Believe me:  I have that much power.  Is that clear?



INT. TRENT’S CAR, SPEEDING DOWN THE HIGHWAY.

Trent is driving.  Daria, riding shotgun, is not wearing her glasses.

TRENT
Daria…

DARIA
(monotone)
Save your breath.  I don’t blame you.  I’m just a boyfriend-stealing tramp.
(beat)
You and Monique are “on”; aren’t you?

TRENT
We got engaged a few days ago—

DARIA
So I’m a fiancé-stealing tramp.

TRENT
It doesn’t matter.  It wasn’t your fault.  If I hadn’t gotten drunk…
(beat)
You put the idea of
(beat)
us being together into my head.  I couldn’t get it out of my mind.  If I hadn’t gotten drunk, I wouldn’t have acted that way.

DARIA
It’s not you.  It’s me.  Every decision I’ve made since I overheard Todd has been the proper, rational decision, and I’m ending up miserable—and there’s no end in sight.  It’s only our third day on the run, and look at me.  I look like a dumb bimbo; I can’t wear my glasses in public, so I’m going to have to literally hold onto you because I can’t see much more than a blur without them; I have to imitate an air-head in front of other people; and I’m in constant fear of being discovered by the Mob.  Sure, life in Lawndale was bad, but I was supposed to have gone off to college soon; I had hope for a better situation.  I had friends.  I had family.  But now—God!  I want to kill myself.

TRENT
Daria, not everything’s going wrong.  I’m still with you, even this early in the morning.

Daria glares at Trent.

TRENT
You still have one person who cares for you and, more importantly, isn’t going to let you out of his sight until we’ve resolved this Todd thing.

DARIA
(mumbles)
That’s really nice of you, Trent.

TRENT
You going to be OK?

Daria nods.

TRENT
Good.  Now let’s see about getting you some contacts.

DARIA
Forget it.  I tried wearing them several times after I first got them, and I couldn’t keep the damn things in.  The opthamologist couldn’t do anything to help me.  I’d rather be blind than try wearing those horrible things again.  The best we can do is prescription sunglasses.

TRENT
Then that’s what we’ll do.



INT. TODD’S OFFICE.

Todd is sitting at his desk, looking over some paperwork, when the phone rings.  Todd answers the phone.

TODD
(into phone)
What?



SPLIT SCREEN WITH TATUM AND ANGELINA AT A PAY PHONE.

ANGELINA
(into phone)
The good news is that we tracked Morgendorffer and Lane to a hotel in a small town called Lebanon.  The bad news is that they weren’t there and are probably in disguise now.

TODD
(into phone)
And you know this because…

ANGELINA
(into phone; holds up a familiar green jacket)
They left their clothes behind.  And the guy at the desk says they slipped out without paying for the room, so we have no idea what they look like now.

TODD
(into phone)
Disappointing, but not surprising.  Morgendorffer’s no dummy.
(sighs)
I got word from Hank Anderson at Sick, Sad World.   He told me that they’re going to be filming a segment on Morgendorffer and Lane this afternoon and that they’re very interested in continuing coverage of the story.  Follow the show.  It may be flaky, but they might find something useful.

ANGELINA
(into phone)
Right, boss.

TODD
(into phone)
In the mean time, I want you and Tatum to get down to Vegas ASAP.  Morgendorffer’s aunt claimed that she met Morgendorffer and Lane in Micro, and they claimed they were heading there to get married. 15

ANGELINA
(into phone)
If they’re in Vegas, we’ll find them.



INT. EYEGLASSES STORE.

Daria, wearing her glasses (it would be suspicious if she were trying to buy glasses without them; wouldn’t it?), is buying prescription sunglasses, while Trent is standing around, looking bored.

CLERK
We should have these ready for you in around an hour, Mrs. Lane.

DARIA
(Brittanyesque voice)
Thanks.
(approaches Trent and latches on to him, guiding him towards the exit)
Come on, Trenty.  I know something fun we can do to pass the time.

TRENT
(quietly)
Are you throwing yourself into the part, or are you trying to enjoy yourself?

DARIA
(quietly, deadpan)
I hate you, Trent.



EXT. EYEGLASSES STORE.

Daria and Trent exit the store and start down the street.

DARIA
(quietly, normally)
I’m getting worried about buying stuff with your credit card.

TRENT
(quietly)
Why?

DARIA
You have to use your real name to use it, we will run up against your credit limit eventually, your parents are probably not reliable about paying bills, and Todd might get it into his head to track us by credit card purchases.

TRENT
Bummer.

DARIA
“Bummer” is right.  I want to get to a clothing store as soon as I can so I can get something less embarrassing to wear, but there’s no point if we can’t pay for anything.

Trent looks disappointed.

DARIA
Trent, stop enjoying how I look.  I’m not here for you to ogle.

TRENT
I thought that was part of—

DARIA
Trust me, Trent:  don’t go there.

TRENT
Sorry.  I think you were saying something about money?

DARIA
We’re going to need a source of cash—and soon.

TRENT
(stopping suddenly)
Whoa.

DARIA
What?

TRENT
I just got an idea.
(points to a music store)

DARIA
Won’t that be suspicious?

TRENT
Not if we do it right.

DARIA
You’d better not be thinking what I think you’re thinking…



INT. MUSIC STORE.

While Trent examines the guitars, Daria wanders around, looking at the other instruments.  Trying to avoid boredom, she flips on a keyboard synthesizer and taps out the first few notes of Phish’s “AC/DC Bag”—and to her surprise she does it correctly.  She taps out more notes and yet more notes, crudely but effectively reproducing the piece and amazing her that she is able to do this based on memory and an innate sense of pitch.  As she reaches the refrain, a second voice joins in, that of an acoustic guitar.  Trent approaches with said guitar, and they play the rest of the piece together.

TRENT
(to an unseen salesperson)
We’ll take this synthesizer, too.16

Daria has an expression of “what have I done?”



INT. TRENT’S CAR, TRAVELLING DOWN THE HIGHWAY.

Daria (wearing her new prescription sunglasses) is driving, Trent (with his new acoustic guitar) riding shotgun.

DARIA
(monotone)
Forget it.  Having to play an instrument ought to be enough, especially when I was just winging it back in the store.  If those things weren’t so rationally designed, I would have never been able to do that.

TRENT
Come on.  Between the two of us, we need a complete act.  It’ll be better if we both sing.

DARIA
No!  I do not sing, just like I do not dance or strip for strange men.

TRENT
Like you don’t squeak either.

Daria glares at Trent.

TRENT
You could always do cheers.

DARIA
(deadpan)
Rah rah rah.  Sis boom bah.  Die, Trent.
(beat)
Alright, I’ll sing.  It’ll take more time for me to feel embarrassed enough to kill myself.
(horribly)
Row, row, row your boat…

TRENT
(sighs)
This is going to be a long ride…



INT. THE LANE HOUSE, JANE’S ROOM.

Quinn is lying on the bed, staring up at the ceiling.  Jane enters.

JANE
Great.  You’ve broken into my house again.

QUINN
I’m sorry, Janey.  I needed somewhere to think, and it helps to get away from my parents and friends.

JANE
Uh-huh.  You still wondering why cute musicians don’t want to run off to Las Vegas with you?

QUINN
I’m just wondering why Daria ran off with Trent.

JANE
(sighs)
That’s what you get when you repress your feelings:  they come rushing out all at once.  In order to avoid this problem, I just say what I feel .  For example:  get off my bed, Quinn.

QUINN
But it’s not like her.  If she wanted to get married, why bother going to Vegas?  She could have just gone to a justice of the peace.

JANE
Maybe she wanted the whole Vegas wedding experience.  The idea of being married by an Elvis impersonator probably appealed to her twisted sense of humor.  Or maybe it was Trent’s idea.  This isn’t the first time she’s gone along with some stupid idea of his.

QUINN
Yeah, but… it just feels wrong.
(sits up)
Can I use your phone?

JANE
(hands phone to Quinn)
Sure.

Quinn takes the phone and dials.



SPLIT SCREEN WITH RITA.

RITA
(answering phone)
Hello?

QUINN
(into phone)
It’s me, Quinn.

RITA
(into phone)
Ah, my favorite niece.  Are you feeling better since our last conversation?  You seemed a bit
(beat)
unnerved.

QUINN
(into phone)
I’m fine now.  What exactly did Daria and Trent tell you they were doing when you met them?

JANE
Hey!  That’s a long-distance call!

Quinn makes a “kill” signal.

RITA
(into phone)
Well, I think I already told you about them running off to get married in Las Vegas…

QUINN
(into phone)
Everything.  From the top.

RITA
(into phone)
Well, I saw them, and then I greeted them, and then I asked them what they were doing there.  Daria made some silly joke, and when I insisted that she tell me the truth, Trent told me they were going to Las Vegas to get married.  So—

QUINN
(into phone)
Wait a moment.  What was the joke?

RITA
(into phone)
I’m not sure.  I think she said they were running from someone.

QUINN
(into phone)
The police?  The media?  Trent’s parents?  Organized crime?  Angry fans?

JANE
Blood-sucking aliens from the planet Zippotron!

RITA
(into phone)
I don’t know.  I can’t remember.



INT. HOTEL ROOM.

Daria (with synthesizer) and Trent (with guitar) are sitting on the bed, facing each other.

DARIA
Let’s just give this whole idea up.  It’s never going to work.

TRENT
Do you have a better idea?  It’s about the only thing you could do indoors without glasses, except maybe play the part of a groupie, and for that you’d definitely need to keep dressing like that.

DARIA
It’s still hopeless.  I’ll play this damned surfboard; all I have to do is rely on my innate sense of pitch and play by ear.  But you can forget me singing.  There’s no way I’m going to get my throat to produce anything decent.

Trent is silent for a moment, but then he gets an idea.

TRENT
You know:  you’d look really hot singing.

DARIA
No.

TRENT
I find singing women really attractive.

DARIA
I am not going to let you turn me into one of your fantasies.

TRENT
It’s what attracted me to Monique in the first place.

DARIA
Aw, Hell!
(improved from the last time, accompanying herself on the keyboard)
Row, row, row your boat…



INT. JANE’S ROOM.

Quinn is lying on the bed, staring at the ceiling, her hair hanging over the side (the “eating at your soul” position).  Jane is busy painting her.

JANE
Quinn, have I told you yet that I’m glad you’ve decided to haunt Casa Lane?  With the house empty and almost everyone else I consider more or less a friend gone, it’s nice to have some company.  I’m gonna miss having you around all the time when I go off to college in January.

QUINN
Life sucks.

JANE
You’ve been saying that since your sister ran away with my brother.  Since you insist on being in my presence, you’d better be willing to give me something better than that—or at least pose.  Can you look like you’re being attacked by wolves?

QUINN
Everyone’s talking about how my life sucks since that episode of Sick, Sad World aired yesterday.  Sandi’s turned into a pop-psychology freak.  Just because a musician ran off with my sister, she thinks I must be covering up having my ego crushed because he didn’t run away with me.

JANE
Well, you did complain about that.  But don’t worry about Sandi; she’s not so hot.  She was the queen of the geeks before high school.  And not queen of the cool, interesting geeks; she was the bad kind of geek. 17

QUINN
I got a call from my mom earlier.  She and Dad haven’t found a trace of Daria and Trent in Las Vegas.

JANE
They’ve only been there a week.

QUINN
They visited every single chapel there and still came up empty.  I think Mom wants to throw herself back into lawyer mode and lose herself there.  They’re coming back tomorrow.



CUT TO:  BEAVIS, BUTT-HEAD, AND WIRETAPPING MACHINES.

Beavis and Butt-Head are each listening through a set of headphones.

BUTT-HEAD
Hey, Beavis?

BEAVIS
What?

BUTT-HEAD
Daria’s mom’s talking to this lawyer dude, and she just said “briefs”.

The morons giggle stupidly.

BEAVIS
Briefs!  Briefs!



CUT TO:  JANE AND QUINN.

QUINN
I’ve been thinking—

JANE
No more makeup tips, please.  I’m happy with my lipstick.

QUINN
About Daria and Trent.  We’ve heard nothing from them, but I think we can do something to find them.

JANE
Oh?

QUINN
Everybody around here has family and friends all over the country.

JANE
And?

QUINN
Maybe we can send them pictures of Daria and Trent, and if one of them sees them, they can tell us.

JANE
(looks at Quinn)
Do you know that deep down you’re really a brain?

QUINN
I’m going to kill you, Jane.

JANE
That’s the spirit!



INT. MCGRUNDY’S.

Up on stage, performing the last chords of a song, are Monique (lead guitar), a Memorial Day (from “Depth Takes a Holiday”) lookalike (goth clothes, rhythm guitar), a Halloween (also from “Depth Takes a Holiday”) look-alike (drums), and Eunice (dressed in the style of Christina Aguilera, no glasses or sign of vision impairment, bass guitar).  These can only be the Harpies.

The audience consists largely of students from Lawndale High School (including Kevin) and people who are probably Dega Street regulars.  Upchuck is sitting anxiously at one table, and at another are Jane, Quinn, Tom, and Elsie.  Elsewhere in the back are Max, Jesse, Nick, and a goth woman holding a three-year-old boy.

SUPER:  SEPTEMBER

The audience breaks into applause.

MONIQUE
Thank you.  You’re a great audience.  I’m glad you enjoyed our performance—

Monique glares at “Halloween” and “Memorial Day”, who glare back.

MONIQUE
(a bit irritated)
—despite everything that went wrong.  We’ll be back in an hour for the second set—probably.

KEVIN
Cat fight!
(meow)

MONIQUE
(even more irritated than before)
In the meantime, Janey Lane, Elsie Sloane, and Quinn
(with disgust)
Morgendorffer would like to make an announcement.

As the Harpies descend from the stage, Jane, Quinn, and Elsie ascend amidst a general noise of curious discussion.  Eunice breaks away from the rest of the Harpies immediately, walks over to Upchuck, sits down in his lap, and tries to suck out his tonsils. 18

JANE
(stepping up to a microphone)
Can I have your attention, please?  Hello, people?

No one pays attention to Jane.

QUINN
Quiet!

Everyone shuts up.  Upchuck and Eunice stop kissing and pay attention.

JANE
You’ve been all called here today to enlist your help.  Three and a half weeks ago, Daria Morgendorffer ran off with my brother, Trent Lane, for reasons unknown.

NICK
Jane, it was obvious they were lying about not being a couple from the way they looked at each other.  They probably eloped.

TIFFANY
But I thought Daria was in love with Jane.

KEVIN
I heard Daria was sleeping with Jane and Trent!

SANDI
Now, what I heard was that Daria was sleeping with Upchuck—

STACY
(shudders)
Ew!

MAX
You’re all wrong!  Daria was clearly insanely in love with Trent, but he was only interested in getting into her pants.  She was willing to do anything for him, and, being the slime-ball we all know he really was, he ran off with her so her parents couldn’t kill him.  Tell him, Jesse!

JESSE
What?

MONIQUE
You idiots!  The red-haired bimbo seduced Trent, not the other way around!  I could tell she was after him from the time she got her navel pierced!

CHRISTMAS (FROM “DEPTH TAKES A HOLIDAY”) LOOK-ALIKE
Red-haired bimbo?  Are you telling us Daria wasn’t really the brain we all thought she was?

JANE
Enough!19

The assembled people fall silent.

JANE
We do not know why Daria and Trent ran off, only that they did so.  They were sighted by Quinn’s aunt Rita in a small town called Micro about 250 miles west of here on Monday, August 13th at about seven PM at Catherine’s World Famous Pizza.  Daria and Trent initially claimed that they were running away from someone, but after Rita said she didn’t believe it, they claimed they were running off to Las Vegas to get married.  Soon afterwards, Daria’s parents travelled to Las Vegas in the hopes of preventing the alleged wedding; they found no evidence of the “happy couple” anywhere.

SANDI
Is there some point to all this?

QUINN
We’re worried that Daria and Trent might have not been joking when they said someone was out to get them, so we came up with a plan to help them out.  The first thing we have to do is find them.  A lot of us have family and friends in lots of different parts of the country.  What we want is for all of you to send copies of this
(holds up a picture of Daria and Trent)
to them, telling them to keep a look out for Daria and Trent and to tell us if they spot them.  We’ve scanned a copy of this picture into my computer so we can send it to anyone by E-mail.  If someone does spot Daria and Trent, we plan to send someone to them to find out what’s going on.  Jane’s mom and my aunt Amy have already volunteered to do this.  If we find out that Daria and Trent really are in trouble—

MAX
Of course they’re in trouble!  Daria’s parents are going to kill Trent when they find out how he’s been treating her!

Monique punches Max.

MAX
Ow!  That really hurt!

MONIQUE
If anyone’s going to get killed, it’s going to be Daria when I wrap my hands around her scrawny neck!

QUINN
Stop it!
(beat; calmer)
If we find out Daria and Trent really are in trouble, Jane’s sister has some contacts who can smuggle them out of the country to somewhere safe.

SANDI
That’s a very nice plan, Jane and Quinn, but why do you think we’re willing to help you?

NEVER-NAMED STUDENT #1
Maybe they think there’s a heart somewhere under all that makeup.

NEVER-NAMED STUDENT #2
Big mistake.

ELSIE
If I may, I would like to say something on that matter.  In the interest of finding my younger brother’s ex-girlfriend Daria, I’m offering a reward of five hundred dollars.

A collective gasp emanates from the assembled.

ELSIE
When Janey and Quinn came to me with their plan for finding Daria and Trent, I was so moved that I had to help them.  For Daria was a truly wonderful person, filled with such love for—

FEMALE VOICE
Hey!

All eyes turn to the back of the room, and the owners let out a collective gasp, for standing there are Tom and “Halloween”, holding hands.  The two approach the stage amidst mumbles of speculation.

TOM
Who I see is none of your business, Elsie!

ELSIE
(innocent)
I haven’t said anything about who you’re seeing now.

“HALLOWEEN”
Not explicitly, but you’ve been out to break me and Tom up ever since the day we met!

ELSIE
Samantha—

SAMANTHA (AKA “HALLOWEEN”)
(getting sarcastic)
I don’t know why.  Maybe because I’m not as highly starched as you are, that I don’t care for formalities, that I’m honest about my feelings and don’t hide behind a screen of phony politeness.  I could never fit in in Snobland.  I’m not that pliable.  I broke the arm of the last person who tried to get me into a formal gown.  But Daria, she would have been a lot easier to shoe-horn into your little private society.  She complained a lot, but she could be coerced into doing things.
(jumps up onto the stage, soon followed by Tom)
That’s your plan; isn’t it?  Five hundred dollars is a small price to pay to get Daria back so you have a chance to get Tom away from me, so I don’t embarrass your whole rotten family!

ELSIE
Why you horrid…
(losing any trace of dignity)
Do you want a piece of me?

SAMANTHA
Hell, yes!

GUY FAWKES (FROM “DEPTH TAKES A HOLIDAY”) LOOK-ALIKE IN AUDIENCE
Soccer riot!

QUINN
(interposing herself between Elsie and Samantha)
Please, don’t fight!  How can you think of hurting each other over honor at a time like this?  I'm really, really worried about Daria.  For all I know, some crazed psycho killer is trying to slash her up with a big knife!  Can’t you all agree to help us in this one little thing, please?
(starts sobbing)
I just want my sister back.

The assembled start murmuring comments of consent.  Even Samantha and Elsie drop their fists.  Jane and Quinn exchange a brief look of conspiratorial recognition.

Meanwhile, elsewhere in the room, Monique is arguing with “Memorial Day”.

“MEMORIAL DAY”
You take that back!  I have just as much musical talent as you do!

MONIQUE
April, if I may misquote The Muppet Show, you don’t got rhythm, you don’t got rhythm, and I could ask for a lot more in your performance.

APRIL (AKA “MEMORIAL DAY”)
You wouldn’t know a good performance if it bit you on the butt!  Go ask Samantha.

MONIQUE
Samantha doesn’t have any rhythm either.

APRIL
What do you know?  I’ve been playing the guitar twice as long as you have.

MONIQUE
Go ahead and don’t accept my opinion.  Let’s ask someone we both agree can actually play.

APRIL
Fine.

Monique and April walk over to Eunice, who is still in the midst of passionate face-sucking with Upchuck and being groped by him.  Monique clears her throat, and Eunice replies by waving her hand in a “go away” sign.

MONIQUE
Eunice—

EUNICE
(briefly breaking lip-lock; perky)
You know I go by my first name, “Cindy”, when I’m like this.

MONIQUE
Fine, Cindy Eunice Blenko, if you can tear yourself away from your latest victim, would you mind telling April what you think about her and Samantha’s playing?

CINDY EUNICE
(breaking lip-lock again)
Oh, they, like, really suck.

APRIL
Hey!

CINDY EUNICE
Well, it’s like you don’t have much natural talent.  You never were able to improvise or play by ear.  In fact, I’m surprised you can play at all.

APRIL
Well, if that’s so, maybe I ought to quit the Harpies!

CINDY EUNICE
Go ahead.  We don’t need you.  And you can tell Samantha she’s fired, too.

MONIQUE
Now, just a moment—

APRIL
If that’s your attitude, fine!  See you later, old friend!
(walks indignantly away)

MONIQUE
Good going, you dumb slut!

CINDY EUNICE
Don’t worry about it.  You’ll be better off without them.

UPCHUCK
The talentless hacks.

MONIQUE
We just lost a quarter of the band, thanks to you.

CINDY EUNICE
I know that, but if we’re to make Harpies Records work, we need a good band.

MONIQUE
It doesn’t really matter in today’s market.

CINDY EUNICE
It doesn’t matter?  It’s not like everyone’s tone-deaf or doesn’t care about quality.  We don’t want people to be making fun of us the way they do boy bands.   Now, if you’ll let me get back to showing Charles my appreciation for the work he’s done on the feasibility of our record-company-to-be—

MONIQUE
Cindy!  Just what are we supposed to do at the end of the break without—

Samantha and Tom, hand in hand, approach.

SAMANTHA
You’re a dead woman, Monique, firing April like that.

TOM
How could you do something so heartless to a partner-in-crime?

CINDY EUNICE
Very easily.  Monique doesn’t need you in a musical capacity either, Samantha.

MONIQUE
Now hold it—

SAMANTHA
No, you hold it.  We’ve all worked damn hard on our music, and though we’ve had a rocky relationship, we’ve never actually broken up—until now.

MONIQUE
But—

TOM
And people accuse me of having broken up with Jane cruely.
(to Samantha)
What do you say we go commit some petty vandalism?

SAMANTHA
Good idea.  I know just where we can start.

Samantha and Tom walk away.

MONIQUE
Damn it, Cindy!  Are you trying to destroy the Harpies?

CINDY EUNICE
Of course not.  Samantha and April will come around in time.

MONIQUE
But did you have to tick them off?  They’re going to slash my tires—if I’m lucky!

CINDY EUNICE
Well, we needed to get them off the stage somehow.  Their substandard playing is holding the Harpies back.

MONIQUE
(snort of disgust)
Get real.

CINDY EUNICE
If it weren’t for all those guys who come just to ogle me, we’d be booed off the stage a lot of the time.  

UPCHUCK
I’ve done the market research to prove it.

CINDY EUNICE
And he told me all about it on the way over here.  Trust me:  you don’t need them on-stage.  If I had been given a chance to get rid of them before the concert, I would have done it then, but the opportunity you gave me will do just nicely.  Now, if you’ll excuse us—

MONIQUE
Hey!  What are we supposed to do for musicians at the end of the break?

CINDY EUNICE
Oh, that’s easy enough.  You’ll be joined by what’s left of Mystik Spiral.

MONIQUE
Excuse me?

UPCHUCK
They’ve been searching for a replacement for Trent ever since he disappeared, and so they came to my scintillating Cindy for help.  And unlike the Harpies, they have improved considerably in the past year, making them excellent candidates for Harpies Records’ first band.

MONIQUE
(takes a look at the remains of Mystik Spiral)
You had better be right, or you two are so dead.

CINDY EUNICE
Good!
(to Upchuck)
Come on, Charles.  Let’s go out to you car.  What you did with focus groups really put me in the mood.

UPCHUCK
With pleasure.

Cindy Eunice and Upchuck rush away towards the door before Monique can protest.  Steeling herself for having to deal with people she clearly does not respect, Monique heads towards the remains of Mystik Spiral.


EXT. REST AREA—DAY.

Trent (whose beard is growing in) is playing guitar, while Daria plays synthesizer and sings, now producing a clear alto.  The open guitar case is on the ground in front of them, with many coins and even a few bills in it.  Many other travellers are standing around listening to them.

DARIA
I feel pretty.
I feel pretty.
I feel pretty, and witty, and bright,
And I pity
Any girl who isn’t me tonight.
I feel charming.
I feel charming.
I feel charming, so charming I feel
It’s alarming
That I—

Suddenly Daria’s eyes open wide.  She puts her hand over her mouth and runs for the little building they have at every rest area. 20

TRENT
Daria!
(runs after her)



EXT. REST AREA, DOOR TO WOMEN’S RESTROOM.

Daria comes out of the restroom as Trent runs up.

TRENT
Are you alright?

Daria looks around, then pulls Trent close to her.

DARIA
(quietly)
I don’t feel pretty anymore.21
(beat)
We are stopping by a drugstore as soon as possible.

TRENT
(quietly)
Oh.



INT. MAZE OF CORRIDORS.

Trent wanders through the dark corridors of the maze, looking uneasy.  He is ankle-deep in blood.  His brother Wind appears before him.

WIND
You fool!  You made the same mistake I made!

TRENT
What?

WIND
Once you get a girl pregnant, they start coming after you.

TRENT
Who?

WIND
Horrible, prehistoric beasts which ruled the Earth for billions of years, keeping the mammals at bay until the last ice age.  They’re called
(dramatic pause)
the nectarines.

TRENT
Do you really expect me to believe that?

We hear a low growl.  Trent turns around and notices ten gigantic nectarines.  Trent tries to run, but he trips.  A nectarine bears down on him and is about to crush him.22



SMASH CUT TO:  INT. HOTEL ROOM.

Trent, dozing, sitting on the bed, and facing a closed bathroom door, wakes with a start.

DARIA
(out of view)
Damn!  Damn!  Damn!

TRENT
Huh?

Daria comes out of the bathroom.

DARIA
I’m pregnant, Trent.23

TRENT
Oh.

DARIA
Is that all you can say:  “Oh”?  Our lives just got a lot more difficult.

TRENT
How?  We’re still on the run from the Mob.

DARIA
Nine months minus, I’d say, about six weeks from now, we’re going to have a baby to take care of, and if you don’t know it already, a baby is a lot more fragile and needs a lot more care than an adult.  Just how do you expect to run all over the country with an infant?

TRENT
I hadn’t thought that far in advance.

DARIA
And before then I’m going to have trouble moving around and won’t be able to get very far from a bathroom.

TRENT
Uh-oh…

DARIA
We have a time limit, Trent.  We have a matter of months before we can’t travel, and if we can’t travel, our chances of having Todd find us go up.  It’s only a matter of time before we become sitting ducks.

TRENT
You could always get an abortion.

DARIA
Yeah, and maybe we’ll also vacation in Europe on what we’re making.
(beat)
And I don’t feel very comfortable with the idea of killing an embryo anyway.

TRENT
Are you sure you don’t want me to get a shotgun and—

DARIA
Trent, I need you.  I can’t afford to have you die on me.  So forget the noble but futile gestures and concentrate on how we’re going to deal with having a baby on the way.

TRENT
You know, we might actually benefit from you getting pregnant.

DARIA
You mean there’s a bright side to this?

TRENT
Consider it part of your disguise.  No one is going to expect you to get pregnant in this part of your life, especially when you’re on the run from the Mafia.

Daria has a look of “why do I put up with this?”



INT. QUINN’S ROOM.

Quinn is sitting on her bed, typing on her laptop computer.  The quality of her appearance has begun to degrade.  Several open books surround her.

SUPER:  OCTOBER

There is a knock on the door.

QUINN
I’m busy.

SANDI
(out of view)
This is important, Quinn!

QUINN
I’m doing homework!

Sandi enters anyway.

SANDI
Quinn, are you OK?  You’re making mistakes with your makeup, and you keep wearing the same outfit over and over again!  How many more times are we going to see you in that pink shirt with a butterfly on it? 24

QUINN
I don’t care.

SANDI
How can you not care?  This is fashion we’re talking about!  You need help!

QUINN
I still don’t care.  Fashion isn’t getting me anywhere.

SANDI
I’m worried about you, Quinn.  I know you’ve been concerned about getting into a good college, but now you’re starting to sound like a crazy person.

QUINN
I’ve spent the past few years trying to be fashionable, and what has it gotten me?  A lot of dates with total losers who want to sleep with me in the back-seat of their parents’ car.  And what did Daria do?  She did whatever she felt like, and lots of cool stuff happened to her, and she met this guitar player who fell so wildly in love with her that they ran off together.  Why bother putting all that effort into fashion when I can channel it into my schoolwork and still get this great-looking guy who isn’t full of himself to be interested in me?

SANDI
You’re definitely crazy.  Please, talk to a psychiatrist.

QUINN
Am I really crazy?
(calls up a picture of Jesse, Max, Nick, and Monique on her computer screen)
This is Mystik Spiral.25   The one who shaves his head is mine.

SANDI
(stunned)
Really?
(beat)
You wouldn’t happen to know if the one with the long hair has a girlfriend?



INT. THE ZEN.

Various young people, including Quinn, Jane, and Sandi, are standing in the audience.  Up on stage are Monique, Jesse, Max, and Nick.  Sandi is staring deliriously at Jesse.  Upchuck is trying to make out with Eunice (conseratively dressed), but she repeatedly recoils on pure instinct, not from anything Upchuck has done, and she looks very apologetic.  Samantha and April are standing in the back, holding up a big sign which reads “MONIQUE MARTIN IS A TRAITOR”.

MONIQUE
(singing—and I mean really singing, not what Trent does canonically)
There’s no place to hide things
Under the bed,
And nowhere to hide from what’s true.



MONTAGE:  EXT. REST AREA—DAY.

Daria and Trent are performing.

MONIQUE
(voice over)
Down here by the floor,
My soul calls out “More!”
But knows that its cry won’t get through.



MONTAGE:  INT. HOTEL ROOM—NIGHT.

Daria and Trent enter a hotel room and collapse on a couch.

MONIQUE
(voice over)
From the futon—

JESSE, MAX, AND NICK
(voice over)
From the futon—

MONIQUE
(voice over)
From the futon—

JESSE, MAX, AND NICK
(voice over)
From the futon—

MONIQUE
(voice over)
Everything, always so low.



MONTAGE:  INT. TRENT’S CAR—DAY.

Daria and Trent argue as they travel down the highway.

MONIQUE
(voice over)
From the futon—

JESSE, MAX, AND NICK
(voice over)
From the futon—

MONIQUE
(voice over)
From the futon—

JESSE, MAX, AND NICK
(voice over)
From the futon—

MONIQUE
(voice over)
I’m in limbo—how low can I go?


MONTAGE:  INT. COWBOY BAR.

Daria and Trent are performing.  Stan and Travis (from “Speedtrapped”), in the audience, look unimpressed.

MONIQUE
(voice over)
I don’t have a headboard
Or box-spring of wire.
My spirit’s hit low altitude.



MONTAGE:  INT. HOTEL ROOM—NIGHT.

Daria and Trent stand on opposite sides of the bed and argue.

MONIQUE
(voice over)
The mattress is thin.
It’s itching my skin,
And that isn’t helping my mood.



MONTAGE:  EXT. REST AREA

Daria and Trent are performing.  Three strings on Trent’s guitar break simultaneously.  Daria rolls her eyes in irritation.

MONIQUE
(voice over)
From the futon—

JESSE, MAX, AND NICK
(voice over)
From the futon—

MONIQUE
(voice over)
From the futon—

JESSE, MAX, AND NICK
(voice over)
From the futon—

MONIQUE
(voice over)
Everything, always so low.

MONTAGE:  INT. HOTEL ROOM—NIGHT.

Trent has fallen asleep on the bed.  Daria shoves him down to the floor.

MONIQUE
(voice over)
From the futon—

JESSE, MAX, AND NICK
(voice over)
From the futon—

MONIQUE
(voice over)
From the futon—

JESSE, MAX, AND NICK
(voice over)
From the futon—

MONIQUE
voice over)
I’m in limbo—how low can I go?



MONTAGE:  INT. DRUG STORE (OVER GUITAR SOLO WITH BAROQUE INFLUENCES).

Daria and Trent are looking at batteries.  Daria trips, and as Trent helps her up, they gaze into each other’s eyes.



MONTAGE:  INT. FAST FOOD RESTAURANT—NIGHT.

Daria and Trent are exchanging glances as they consume burgers and fries.  Some guy who might be related to Upchuck hits on Daria and gets his butt kicked by Trent.

MONIQUE
(voice over)
From the futon—

JESSE, MAX, AND NICK
(voice over)
From the futon—

MONIQUE
(voice over)
From the futon—

JESSE, MAX, AND NICK
(voice over)
From the futon—

MONIQUE
(voice over)
Everything, always so low.



MONTAGE:  INT. HOTEL ROOM—NIGHT.

Daria and Trent sit on the bed, making out.

MONIQUE
(voice over)
From the futon—

JESSE, MAX, AND NICK
(voice over)
From the futon—

MONIQUE
(voice over)
From the futon—

JESSE, MAX, AND NICK
(voice over)
From the futon—

MONIQUE
(voice over)
I’m in limbo—how low can I go?



EXT. RURAL ROAD—DAY.

As the last chords of the song sound, Daria (now showing, wearing prescription sunglasses) and Trent walk by the side of the road, carrying some light bags, the synthesizer, and the guitar.  Daria now habitually speaks in the voice she used to say “Hi!  Could you get me a soda?” in “Quinn the Brain” when she’s alone with Trent and always keeps as close as possible to him.

SUPER:  DECEMBER

DARIA
Just when I thought things weren’t getting any worse, your car had to break down.

TRENT
It’s not like it had much life left in it.

DARIA
Yeah, but it means that we’re screwed when it comes to travel.

TRENT
We could always get it repaired.

DARIA
With what money?  We’re living hand-to-mouth as it is.  Pushing it into the woods was about the only thing we could do with it.

TRENT
Oh, yeah.  How about we just take the bus?

DARIA
I don’t think that’s going to work.  I’m puking and having cravings seemingly at random, and now I’m having motion sickness problems, God only knows why.  I don’t think I can stand being cooped up on a bus that won’t stop every time I’m feeling woozy. 26
(beat)
Aw, Hell!

TRENT
What now?

DARIA
Look.
(points)



PAN TO:  SIGN READING “YOU ARE NOW ENTERING LEEVILLE”.



CUT TO:  DARIA AND TRENT.

TRENT
So what?

DARIA
You remember my aunt Rita?

TRENT
Yeah.

DARIA
She lives here.

TRENT
Damn.

DARIA
I just had to randomize the direction we’d go in each day…



INT. THE MORGENDORFFER HOUSE, LIVING ROOM.

Jake is sitting on the couch, reading a newspaper.  Helen rushes in from outside.

HELEN
Hi, Jake.  No time to rest.  I’ve got a dinner meeting with a client—

JAKE
Helen, can we talk?

HELEN
I’m too busy to stay more than a few minutes, Jake!

JAKE
(stands up and walks over to Helen)
Helen, you’ve been doing nothing but work since
(beat)
that day.  I’m worried about you.

HELEN
(angry)
I’m fine, Jake!

JAKE
(summoning a lot of courage)
You’re not fine.  You don’t sleep.  You don’t eat.  You’re never home.  I think you need to take a vacation.

HELEN
I do not need a vacation!

JAKE
You can’t keep up this pace, Helen!  Even my no-good scoundrel of a father, “Mad Dog” Morgendorffer, petered out on being—

HELEN
This has nothing to do with your father, Jake!

JAKE
Well, what does it have to do with?

HELEN
I want my baby back!  Why did she have to run away like that?  Are we really that bad parents?  Did we pay too little attention to her?  Were we negligent?  Where the Hell did we go wrong?
(cries on Jake’s shoulder)

JAKE
It’s not our fault, Helen.  It’s not your fault.



EXT. LAWNDALE HIGH SCHOOL—MORNING.

Various students are standing around, waiting for the school to open, including Sandi, who is reading a printed story with the title “NO LIFE, NO HOPE, NO FUTURE” in big letters.  She sees something off-screen and screams.



PAN TO:  QUINN, APPROACHING.

Quinn has appropriated one of Daria’s old outfits, but has modified it.  The green jacket hangs open in front, exposing a tight, burnt orange T-shirt which does not cover her midriff.  The hem of the black pleated skirt has been raised a few centimeters.  The combat boots seem unaffected, though.



ZOOM OUT TO:  SANDI AND QUINN.

QUINN
Hi.

SANDI
Quinn, are you alright?  It’s almost as if you’re a brain now.

QUINN
Yeah, I am.  My life is so much better.

SANDI
How can it be better?  You’re no longer the envy of half of Lawndale!  You need a psychiatrist!

QUINN
I’m happy, I’m getting good grades, my parents aren’t complaining about me anymore, and I’ve got a great guy who loves me for who I am, not for how I look—not that I don’t still look hot, of course.  These combat boots do wonders for making the rest of my legs look great.  Or are you just jealous, Sandi?  Can you believe I didn’t have to modify this shirt at all?

SANDI
What would I have to be jealous about?  You need help!

As Sandi has obviously jinxed the situation, a run-down pickup truck, driven by Jesse, drives up to the curb.  Tiffany (wearing glasses!), who is in the passenger seat, kisses Jesse and gets out of the truck.

TIFFANY
Bye.

JESSE
Bye.

The truck drives away.

TIFFANY
(approaching the others)
I love having a guy who thinks like I do.

Stacy approaches with Jeffy, Jamie, and Joey.

STACY
Quinn, I just had to thank you for dumping these guys.  We’ve never been happier in our entire lives.

SANDI
That’s it!  I cannot stand around and watch this outright violation of the unwritten rules by which fashionable people live and do nothing.  We cannot have
(faces Quinn)
you being a brain
(faces Tiffany)
and you wearing glasses and dating a guy with rusty pickup truck
(faces Stacy)
and you going steady with three guys at once!

QUINN
What are you going to do, Sandi?  The Fashion Club doesn’t exist anymore, so there are no rules we have to keep.

SANDI
To Hell with you people!  I’m going back to my first love:  chess!27

Sandi, disgusted, storms away.

Stacy, Quinn, and Tiffany just stand there, stunned.

The never-named goth (the one who spiked the punch at Daria’s birthday party) approaches, holds out her hand, and clears her throat.  Quinn reluctantly hands over some cash.



INT. HOTEL ROOM.

Daria is sitting on the bed, wearing her regular glasses, reading that Bible they put in every hotel room and absent-mindedly playing with one of her pigtails.  The door is unlocked from the outside, and Trent enters, locking the door behind himself.

TRENT
Hey, Daria.

DARIA
Hey, Trent.  Did you find any work yet?

TRENT
Better:  I found us a gig.  There’s this pub nearby where the manager’s been having trouble attracting customers, so he’s been looking for a band that’ll play anything.  He’s willing to give us a try.

DARIA
What do you mean by “anything”?

TRENT
The audience gives us requests, and we perform them.

DARIA
Um, Trent, do you really think you can do that?  I know I have an eidetic memory, but that’s not a talent I’ve ever heard of you having.

TRENT
Anything I’ve heard, I can play by ear.
(picks up guitar)
Try me.  Name any tune.  I dare you.

DARIA
Vanilla Ice’s “Ice Ice Baby”.

TRENT
(shudders)
I hope you’re not a fan—

DARIA
I’m not.  I have an eidetic memory:  I remember everything I read or hear.  Can you play it?

TRENT
Listen to this.

Trent launches into playing “Ice Ice Baby”.28

TRENT
(as he plays)
Yo, VIP, let’s kick it.
Ice ice baby.
Ice ice baby.
All right, stop, collaborate, and listen.
Ice is back with my brand new invention.
Something grabs a-hold of me tightly,
Flow like a harpoon daily and nightly.
Will it ever stop?  Yo, I don’t know.
Turn off the lights, and I’ll glow—

DARIA
OK, I believe you.

TRENT
(ceasing playing)
But can you sing anything you’ve ever heard?

DARIA
I feel a gruelling practice session coming on…
(beat)
Just one thing first:  Who did you tell this manager we were?

TRENT
As far as he’s concerned, we’re a married couple, Clyde and Lola Winters.

DARIA
Lola Winters?  You moron!  My middle name is “Lola”.  I can’t use that name!

TRENT
(scratching his head)
No wonder it seemed familiar.  It certainly fits the way you look now.

DARIA
I’m beginning to regret I ever told you.  Even Jane doesn’t know.

TRENT
Well, that’s the beauty of it:  No one is going to think you’re you using that name.

Daria rolls her eyes.

DARIA
I’m never going to get out of this indecent outfit...



EXT. THE STREETS OF LEEVILLE—AFTERNOON.

Trent (carrying his guitar) and Daria (carrying her synthesizer, hanging onto Trent, sunglasses over her eyes) walk through the streets of Leeville.  They come to a stop in front of a pub.

TRENT
This is it.

DARIA
(Brittanyesque)
Eep!

TRENT
What’s the matter?

Daria drags Trent into an alley, then checks to see if anyone else is looking before speaking in her “Quinn the Brain” voice.

DARIA
(quietly)
A couple of years ago, I wrote a musical in which a hurricane strikes Lawndale.

TRENT
(quietly)
You know, that really turns me on for two different reasons.

DARIA
I’ll sing it for you later.  In this musical, the character based on me claims she always knew in what place she would die, and that pub has the same name.

TRENT
Oh.

DARIA
Sorry about this.  I’m just a bit unnerved.

TRENT
It’s OK.  This town’s starting to creep me out, too.  So let’s just get this gig over with for today.

DARIA
Fine.

Daria and Trent walk out of the alley and into the pub, the sign above the entrance of which reads “NOWHERESVILLE”. 29



INT. NOWHERESVILLE.

Nowheresville is similar to the Zen.  Daria, upon entering, pushes her sunglasses up in her hair.  A ditz approaches.

DITZ
Brittany!
(embraces Daria)
It’s been so long. You look great!

DARIA
(Brittanyesque)
Um, I’m not Brittany.

DITZ
(releasing Daria)
Oh, sorry.  You look so much like my cousin, down to her taste in clothing.  I wouldn’t be surprised if you have as much in common with me as she does.
(beat)
Oh, I’m Clementine Graham.

DARIA
Lola Winters.  It’s so nice to meet a kindred soul,
(grabs onto Trent)
but Clyde and I are here to perform. 30

TRENT
Hey.

DARIA
He plays the guitar, and I play keyboard.

CLEMENTINE
Oh, that’s too bad.  Maybe I’ll catch you between sets.

DARIA
(a bit forced)
Sure!

CLEMENTINE
Bye for now.
(wanders off)

DARIA
(strained)
Bye.

TRENT
Was that someone we should be worried about?

DARIA
I don’t know.
(beat)
Weren’t you going to introduce me to the manager?

TRENT
Yeah.
(sights someone)
I see him…

Trent leads Daria over to John Wilcox, a man who looks like an older version of Artie, wearing a gray alien T-shirt.

TRENT
Hey, John.  This is my wife, Lola.

DARIA
Hi!

JOHN
Well, hello there.  Aren’t you a pretty, little thing?  Clyde here tells me you’re quite a singer.

DARIA
I was in the glee club in high school.

JOHN
Well, if you’re half as good as he claims, you two are hired as a regular gig.  Why don’t we get you two set up…



FADE TO:  LATER.

Daria and Trent have set up on stage.

TRENT
Hi.  I’m Clyde.

DARIA
(Brittanyesque)
And I’m Lola!

TRENT
And we’re here to perform any song you want.

DARIA
And we mean anything!  You name it, we sing it.

TRENT
Do we have any requests?

Lots of people in the audience raise their hands.

TRENT
You in the green sweater.

TEENAGER IN GREEN SWEATER
Britney Spears’s “Baby One More Time”!

DARIA
(twirling a pigtail about a finger)
I don’t think I’ve ever heard that played in a pub before.

TEENAGER IN GREEN SWEATER
Who cares?  You look like Britney Spears, so it seems appropriate.

Daria rolls her eyes in irritation, but Trent starts playing anyway.

DARIA
(joining in, her singing and playing considerably improved)
Oh, baby, baby, oh, baby, baby.
Oh, baby, baby, how was I supposed to know
That something wasn’t right here?
Oh, baby, baby, I shouldn’t have let you go,
And now you’re out of sight, yeah.
Show me how you want it to be.
Tell me baby ’cause I need to know now, oh, because…
My loneliness is killin’ me.
I must confess I still believe.
When I’m not with you, I lose my mind.
Give me a sign; hit me baby one more time!
Oh baby, baby, the reason I breathe is you.
Boy, you’ve got me blinded.
Oh, pretty baby, there’s nothin’ that I wouldn’t do.
That’s not the way I planned it.
Show me how you want it to be.
Tell me baby ’cause I need to know now, oh, because…
Oh, baby, baby, how was I supposed to know,
Oh, pretty baby, I shouldn’t have let you go?
I must confess that my loneliness
Is killin’ me now.
Don’t you know I still believe
That you will be here,
And give me a sign; hit me, baby, one more time.
I must confess that my loneliness
Is killing me now.
Don’t you know I still believe
That you will be here?
And give me a sign…
Hit me, baby, one more time!

The crowd applauds at this well-performed rendition of a great example of pathological song.

DARIA
Thank you!  Thank you!  Next request, please.

Various people in the audience raise their hands.

TEENAGER IN GREEN SWEATER
One more time!

Daria gives Trent a look of “whatever you do, don’t accede to this request, please!

TRENT
You, up front, in purple…



FADE TO:  LATER.

Daria and Trent are performing Nirvana’s “Smells Like Teen Spirit”

TRENT 
(and he can actually sing now!)
Hello, hello, hello; I don’t know.
Hello, hello, hello; I don’t know.
With the lights out, it’s less dangerous.
Here we go now; entertain us.
I feel stupid and contagious.
A mulatto, an albino,
A mosquito, my libido.
Yeah, yeah.

The audience applauds with great gusto.  Daria and Trent bow.

TRENT
Thank you!  You’ve been a wonderful audience.

DARIA
(Brittanyesque)
We’ve had such a great time!  We’ll be back in an hour for the second set.

Daria and Trent descend from the stage, where they meet John.

JOHN
That was great!  You kids are hired.

DARIA
Thanks!

TRENT
You won’t regret it, man.

JOHN
I knew the aliens wouldn’t let me down.

TRENT
Aliens?

DARIA
Icky, green monsters?  Ew!

JOHN
They’re not icky at all.  They give me all my best business advice.

TRENT
Whatever you say.

JOHN
Why don’t we go into my office, Clyde, and discuss the terms of your contract?  The aliens gave me a proposal I think you’ll like.

TRENT
Cool.

DARIA
Um—

JOHN
Don’t worry your pretty, little head about it, Lola.  Why don’t you go enjoy yourself in the meantime?  Anything you want, on the house.

DARIA
(resigned)
OK.

Trent and John walk off towards John’s office.  Clementine approaches before Daria can hide.

CLEMENTINE
That was so wonderful the way you sang.

DARIA
Oh, thank you!

CLEMENTINE
I was thinking:  since you’re not Brittany Taylor, maybe you’re related to her.

DARIA
Brittany Taylor?

CLEMENTINE
She’s my cousin on my father’s side.  You know her?

DARIA
(twisting her hair around her finger)
I think Clyde and I met her passing through Lawndale.

CLEMENTINE
Yes!  That’s where she lives!  It’s such a wonderful place…



FADE TO:  LATER.

Daria and Clementine are sitting at a table.  Daria is struggling to look like she’s paying attention.

CLEMENTINE
… but my dad and his brother had this big fight, which went way back to their childhoods…



FADE TO:  LATER.

CLEMENTINE
… but his taste in, well, everything was always so gauche…



FADE TO:  LATER.

Daria looks very strained.

CLEMENTINE
… but he was such a jerk!
(beat)
Where were we again?

DARIA
(Brittanyesque)
Um, I think it was your neighbor three houses down the street.

CLEMENTINE
Oh, yes.  So he went to Peterson and said—

Trent approaches.

TRENT
Hey, Lola.  It’s about time we got back to work.

CLEMENTINE
Aw, that’s too bad.  Maybe we can continue tomorrow.

DARIA
(strained)
Sure.



INT. HOTEL ROOM—NIGHT.

Daria and Trent, looking very weary, enter.  Trent puts down his guitar, Daria puts down her synthesizer, and the two of them collapse on the bed.

DARIA
Get me some Pop Rocks and a two-liter bottle of Coke, Trent.  I’m going to kill myself.31

TRENT
It couldn’t have been that bad.

DARIA
You weren’t there for that whole hour Clementine was talking.  If you thought some of the music we had to perform was bad, that was nothing compared to her.  That woman is the worst gossip I have ever met; in one hour she must have told me about half of the people in the state, including us.  If it wasn’t for us having to play a second set, I would have had to kill her.

TRENT
Sorry to hear about that.  Who is she, anyway?

DARIA
Brittany Taylor’s cousin.  High school senior, epitome of no taste in literature, and music nut.

TRENT
Brittany Taylor’s the bimbo whose appearance you copied?

DARIA
Yeah.  And this one’s worse.  She’s a deconstructionist. 32

TRENT
If Clementine’s such a pain to be around, why didn’t you tell her to shove off or something?

DARIA
I would have loved to tell her to get lost and be gone forever, 33 but I couldn’t imagine Lola behaving otherwise, being allegedly interested in makeup and clothing and, um, guys.  Before I knew it, I was trapped talking to the Bottomless Throat.

TRENT
Maybe she won’t show up tomorrow at Nowheresville.

DARIA
Perhaps.  But she is taking me clothes shopping tomorrow.  She just had to notice that I was showing and my clothes were starting to get too tight—as if they hadn’t been too tight already.

TRENT
Well, you do need maternity clothes, and I don’t see how you can pick them out alone when you can’t really see what you’re doing.

DARIA
Yeah, but it didn’t have to be her helping me.  You at least don’t have to deal with a perky pea-brain when searching for an apartment…



INT. CLOTHING STORE.

Daria comes precariously out of a dressing room (she has her sunglasses pushed up in her hair) and, standing with her back to a set of three mirrors, shows off an orange and green outfit to Clementine.

DARIA
(Brittanyesque)
How does this look to you?

CLEMENTINE
Turn around and see for yourself.

Daria turns around and looks at herself in some mirrors, for all the good it does.

DARIA
It stands proudly and says, “I am”.

CLEMENTINE
You see!  I told you it was a good combination.

DARIA
But I’m more of a yellow and blue person.

CLEMENTINE
With your skin, eye, and hair color?  I don’t think so…



INT. HOTEL ROOM—AFTERNOON.

Daria is lying on the bed with a pillow over her face.  Two bags full of clothes are on the floor.  Enter Trent.

TRENT
Hey, Daria.  Are you OK?

DARIA
No.  I’ve condemned myself to a life of misery.

TRENT
What?  You’ve already made an enemy in Leeville?

DARIA
Worse:  I’ve made a friend.

TRENT
I take it you haven’t managed to tick off Clementine yet.

DARIA
No.  Please push down on the pillow until I suffocate.

TRENT
Daria, you know I can’t kill you.

DARIA
Why not?  Being around her is being in Hell.  The most intellectual discussion we’ve had is on whether or not I look good in yellow and blue.  I finally managed to justify to her that I look best in blue and purple.

TRENT
Actually, I think you’d look better in green.

Daria takes the pillow off of her face and hits Trent with it.

DARIA
Never do that to me, Trent, especially when it interferes with my disguise.  You know I have trouble resisting.  I already let you turn me into a singer and musician, and I never fought your pathetic excuses why you wouldn’t take me to a thrift shop so I could change my look to something less embarrassing.  Don’t push your luck.

TRENT
Sorry about that.  Wait a minute:  how would you know what you look good in?  You never showed much fashion sense back in Lawndale.  Not that you didn’t look good then…

DARIA
I was fashion editor of the school newspaper at Highland High.  I’ve read enough on the subject to run circles around Quinn if I wanted to.  My look in Lawndale was deliberate.

TRENT
Hmm.  So what now?

DARIA
(sighs)
Since you won’t kill me and I’ve created my own Hell, I guess I’m going to have to live in it.  At least discussing fashion is better than gossiping…



INT. NOWHERESVILLE.

Daria (in new, Brittanyesque clothes) and Trent are up on stage, ready to perform.

DARIA
(Brittanyesque)
Hi, everybody!  We’re Lola and Clyde.

A few people in the audience say hi back.

TRENT
What’ll tonight’s first song of be?

TEENAGER IN GREEN SWEATER IN AUDIENCE
Britney Spears’s “Baby One More Time”!

DARIA
But we played that one last night.

TEENAGER IN GREEN SWEATER
So what?  I like that song.

No one else is raising their hand, so Daria and Trent reluctantly begin playing.

DARIA
Oh, baby, baby, oh, baby, baby…



EXT. WOODS—DAY.

Four hikers hike through the woods.  One of them is a cynical character with bad hair named Peabody.

SUPER:  JANUARY

They presently come upon Trent’s car.

HIKER #1
What in tarnation is this car doing out here?

HIKER #2
I dunno.

HIKER #3
Alright!  Take a look at this!
(points to the bullet holes in the side of the car)

PEABODY
(monotone)
Oh, dear.  This can’t be good.



INT. NOWHERESVILLE.

Daria and Trent are up on stage performing Iron Butterfly’s “In the Garden of Eden” for an audience larger than the one present the last time.  Trent is now using an electric guitar.  Daria’s clothing is now more revealing, showing off her midriff and cleavage.

DARIA
… In the Garden of Eden, honey,
Don’t you know that I love you?
In the Garden of Eden, baby,
Don’t you know that I’ll always be true?
Oh, won’t you come with me
And take my hand?
Oh, won’t you come with me
And walk this land?
Please take my hand!

The audience applauds as the song ends.

TRENT
Thank you!  We’ve enjoyed playing “play that tune”.

DARIA
(Brittanyesque)
You’re such a wonderful audience!

TRENT
We’ll be back in an hour for the second set.

Daria and Trent descend from the stage and walk over to a table by the wall, sit down, and commence making out.  They fall over horizontally on a bench and speak softly between kisses.

TRENT
You really need… to find a better way to evade… Clementine.

DARIA
I know… this is indecent… in public, but… unless we can… find a decent excuse… for leaving the… premises during… the break, I’m… going to have to… talk to her… if we can’t… do this.

TRENT
We could... always go into the... alley out... back and—

Clementine approaches, crying.

CLEMENTINE
Lola, I’m really sorry to disturb you, but you’ll never guess what I’ve just heard!

Daria and Trent reluctantly sit up and straighten up their hair.

CLEMENTINE
A friend of mine and some friends of his found Trent Lane’s car abandoned in the woods right outside of town—and there were three bullets in the side of the car!

DARIA
(Brittanyesque)
That’s the grunge guitarist who ran off with his sister’s best friend?

CLEMENTINE
Yes!  Isn’t it scary?  To think that there might be the Mob or a gang operating right here in Leeville!

DARIA
Clementine—

CLEMENTINE
Like, I know this Daria was supposed to be this arrogant jerk who looked down on everybody and her boyfriend was a lazy bum who slept all day, but that doesn’t mean they deserved to die!  Oh, why do these horrible things happen keep happening around here?

DARIA
(with difficulty)
Calm down!  Like, I know this is all painful and stuff, but it’s not your fault.  We still don’t know what happened to Daria and Trent.  Yeah, maybe they are dead, but maybe they’re OK, living somewhere we don’t know.  You can’t just assume the worst.

Trent gives Daria a look of “are you sure this is a good idea?”

CLEMENTINE
Thanks, Lola.  You’re really smart.

DARIA
(mumbles)
Don’t mention it.  Please.

CLEMENTINE
But if Daria and Trent are still alive, maybe they’re in big trouble.

DARIA
Perhaps, I don’t think there’s much we can do about it…



INT. APARTMENT—NIGHT.

The apartment is extremely sparsely furnished  The living room has little more than a lamp, a sofa, and a TV which was obviously bought at a garage sale for $2.00.  Daria and Trent enter.

DARIA
(putting down her synthesizer; putting on her regular glasses)
Why do I keep shooting myself in the foot?  I can’t be myself in public, and then I screw everything up by showing some intelligence and injecting some common sense into a panic situation.
(flops face-down on the sofa)
I might as well put a sign on my back saying, “kill me, Todd”.

TRENT
(putting down his guitar)
It can’t be that bad.  Remember that Clementine’s not particularly bright.

DARIA
Yeah, but she isn’t Tiffany either.

TRENT
Which one was Tiffany again?

DARIA
A walking Barbie doll.  Fashion Club treasurer.  Barely literate.  Has a paranoid fear of looking fat.  No sign of higher brain functions.  Clementine, by contrast, is getting decent grades.

TRENT
(pulling Daria into a sitting position and sitting down next to her)
Oh, yeah.  But maybe she thinks a lot of people are smart who pale in comparison to you, even when you’re too groggy to know what’s going on two inches in front of your face.

DARIA
I hope you’re right, Trent.  I hope you’re right.

TRENT
(casually putting his hand on Daria’s thigh)
That’s nothing.  Clementine did mention my car being found in the woods.

DARIA
Argh!  Now there’s no way we can reclaim it without turning ourselves in for police protection.  We really are trapped in Leeville.

TRENT
We could always hitchhike.

DARIA
That’s risky.  I’m not ready to bet my life on it yet.



INT. THE MORGENDORFFER HOUSE, LIVING ROOM.

Someone is banging on the front door.  Jake enters the room and opens the door, revealing a very angry Monique.

JAKE
Hey there, uh, um, do I know you?

MONIQUE
The name is Monique Martin.  Where’s Jane Lane?

JAKE
She’s upstairs, in Quinn’s room, but—

Monique barges past Jake and charges up the stairs.  Jake just stands there and looks confused.



INT. QUINN’S ROOM.

Jane is pacing, while Quinn lies on the bed, reading a book, a stack of printed stories next to her, the top one titled “The Bleakness that Lies Ahead”.

JANE
OK, so Daria, angry because she discovered that she didn’t get as much scholarship money as she thought she was getting because Ms. Li had sabotaged her transcript due to their mutual animosity, marches into Ms. Li’s office, threatening to get the money by lawsuit.  Ms. Li, being irritated one time too many by our favorite cynic, pulls out a gun and threatens to blow Daria away.  Daria flees, runs out into the school parking lot, and jumps in Trent’s car.  Ms. Li, following, fires three times at Daria.  Trent pushes her out of the way, saving her from certain death.  Daria, remembering that I’m going to beat her silly if she doesn’t confess to Trent how she feels about him, thanks our favorite bad guitarist for saving her life and says to him those three magic words:  “I love you”.  Trent then confesses his love for Daria, and the two of them run off to Brazil to live happily ever after.  And Ms. Li, wanting to get rid of the evidence, dumps the car in the woods.  Now will you please come over to my house so I can paint you for my nude painting class?   I was going to have Tiffany pose for me, but her mother found out and told me to stay away from her.  I also thought I’d be able to get Cindy to pose for me, but now she’s too “busy”, something about putting together called “Harpies Records”.

QUINN
If you want to sweet-talk me into taking off my clothes, it’s going to take a lot more than a silly scenario.  Let’s start with—

The door is knocked off of its hinges and drops to the carpet, revealing Monique.

QUINN
Hey!

MONIQUE
(entering the room)
What the Hell did you tell the police, Lane?

JANE
What the Hell are you talking about, Martin?

MONIQUE
Some hikers found Trent’s car in the woods near Leeville.  There were three bullets in the side of the car.  Who put it in the pigs’ heads that I might have something to do with Trent and the misery slut’s disappearance?  They kept me in custody for three hours before they figured out the bullets didn’t come from my gun!

JANE
Gee, since I know I didn’t, my guess is that since you were Trent’s ex-girlfriend—

MONIQUE
(showing off an engagement ring)
That’s “fiancée”.  He proposed to me.

JANE
Fine.  Since you were Trent’s fiancée, you have a gun, and, as everyone on the planet now knows by now, you hate Daria’s guts, the cops probably figured that you had a motive.

QUINN
Why wouldn’t they suspect you?  You’re just plain mean.

MONIQUE
Shut up, pip-squeak.

QUINN
Hmph!

JANE
Besides, it’s Samantha and April who made the anonymous phone call.

MONIQUE
Damn it!  How long are they going to be trying to make my life a living Hell?

JANE
Listen:  if you want to do something better than yell at us or kill the other Harpies, you can go to Leeville yourself and see if can find Daria and Trent around there.  You know Quinn and I can’t; I have to hitchhike my way back to Boston tomorrow, and Quinn here has class.  Who knows?  You might be able to yell at the one you keep blaming for your man troubles.



INT. A BLACK BMW TRAVELING DOWN THE HIGHWAY—NIGHT.

Angelina drives as Tatum rides shotgun.  Tatum pulls out a cell phone and dials.



SPLIT SCREEN WITH LOUIS IN HIS APARTMENT.

LOUIS
(into phone)
Hello?

TATUM
(into phone)
Louis, it’s Tatum.

LOUIS
(into phone)
What’s up?

TATUM
(into phone)
Angelina and I had to go out of town suddenly.

LOUIS
(into phone)
New lead on Morgendorffer?

TATUM
(into phone)
Yeah.  Something on the news about Lane’s car being found right outside of Leeville.

LOUIS
(into phone)
Good luck.

TATUM
(into phone)
Thanks.
(beat)
I was wondering:  would you mind watering my plants while I’m gone?  I would have asked before I left, but Angelina and I were in a hurry.

LOUIS
(into phone)
No problem.
(beat)
We still on for Saturday?

TATUM
(into phone)
Assuming we’re back by then, sure.

LOUIS
(into phone)
Take care, honey.

TATUM
(into phone)
Bye-bye.



INT. NOWHERESVILLE—EVENING.

While Daria and Trent perform Barenaked Ladies’ “I’ll Be That Girl” on stage—Daria singing, not Trent—Clementine sits in the ever-growing audience, listening to the music.  Monique enters, not dressed in her usual outfit, but in loose red and black clothing, glasses, boots, and no jewelry of any kind (think of something that looks like a color-changed version of Daria’s canonical outfit).  She looks around, fixating on Daria for a moment, only to be interrupted when Clementine walks up to her.

CLEMENTINE
(hostile)
Hello, Monique.  I see you haven’t changed.  Still stealing boyfriends, I assume?

MONIQUE
I’m not here to see you, Clementine.
(pulls a picture of Daria and Trent out of her pocket and shows it to Clementine)
Have you seen either of these people recently?

CLEMENTINE
I don’t think so.34   Did you steal that woman’s boyfriend, too?

MONIQUE
Will you just get over it?  The guy was way too old for you anyway.  Has anyone recently arrived in town?

CLEMENTINE
Well, Clyde and Lola Winters moved here about a month ago.

MONIQUE
Who are they?

CLEMENTINE
The performers on stage.

MONIQUE
Is this Lola intelligent?

CLEMENTINE
Well, she helps me and other people out with personal problems and knows a lot about clothes and stuff like that, but she’s not book-smart like us.

MONIQUE
You book-smart?  Give me a break.  You thought Moby Dick was good.

CLEMENTINE
But it is!  All that stuff about how to kill whales is really symbolic about the torment in the human soul. 35

Monique rolls her eyes.

The audience applauds as the song ends.

TRENT
Thank you, everybody!  Nowheresville audiences are the best!

DARIA
(Brittanyesque)
We’ll be back in an hour for the second set.  See you then.

Monique watches with morbid curiosity as Daria and Trent descend from the stage, walk over to a booth by the wall, sit down (Daria in Trent’s lap), and commence making out, Trent putting his hands up the back of Daria’s shirt.

CLEMENTINE
Why are you so interested in Lola, Monique?

MONIQUE
(snapping out of staring at Daria and Trent)
What?  Uh, never mind.  She’s not who I’m looking for, no way in Hell.
(exits)

Peabody and the never-named goth (yes, that goth from Lawndale; she is wearing a red wig and dressing in brighter-colored clothes) walk over to Clementine.

PEABODY
What was it with the Misery Chick?  I haven’t seen her in years.

CLEMENTINE
I don’t know.  Monique wanted to know about people who were new in town and wanted to know especially about Lola.

NEVER-NAMED GOTH
Must be getting paranoid.  I know she was worrying about Daria seeing Trent secretly back before they disappeared.

PEABODY
Fifty dollars says she murdered them both and buried their bodies in the woods.

NEVER-NAMED GOTH
(shakes Peabody’s hand)
You’re on.
(checks her watch)
Aw, Hell.  I’ve got to get back to Lawndale.  See you later, Party Animal.
(kisses Peabody and exits)

CLEMENTINE
What does she see in you, anyway?

PEABODY
(pure deadpan)
She says I make her smile.36



PAN TO:  ANGELINA AND TATUM ELSEWHERE IN THE AUDIENCE.

ANGELINA
(looking at Daria and Trent)
That’s disgusting.  Are you really sure that’s her?  I can’t see Daria doing that even with a gun to her back.  I’d even bet money on it.

TATUM
If she is Morgendorffer, she’s sunk to a new low.  We’ll just have to find out the hard way…



FADE TO:  INT. NOWHERESVILLE, WOMEN’S RESTROOM.

Daria walks out of a stall, over to a sink, and washes her hands.  As she gropes for the paper towels, Angelina and Tatum grab her from behind and shove her down on the floor.

DARIA
(Brittanyesque)
Please!  Don’t hurt me!

TATUM
Shut up, or I’ll kill you!
(examines Daria’s hair)
Damn it!  She’s the wrong one!  Her roots are blond!

ANGELINA
Told you.  When am I getting my fifty bucks?

TATUM
Talk to me later.
(to Daria)
You even think of looking up before we’re long gone, and you’ll be wiped off the face of the Earth so fast that you won’t even feel the bullet hit you.  Is that clear?

DARIA
Yes!

TATUM
Good.

Angelina and Tatum release Daria and leave, making sure that Daria is not looking at them on the way out.  Daria, terrified from the close call, slowly stands up and breathes with difficulty.



INT. NOWHERESVILLE.

Daria comes out of the women’s restroom and rams into Peabody.

PEABODY
Watch where you’re going, you stupid cow.
(walks away)

Daria looks very embarrassed.  Before she can return to the safety of the make-out spot, three not-so-intelligent guys approach and stand uncomfortably close to her.

GUY #1
Are you OK, Lola?

GUY #2
We saw the whole thing.  Peabody can be a real jerk sometimes.

GUY #3
Do you want us to beat him up for you?

DARIA
(Brittanyesque)
That’s not really necessary, guys.

GUY #3
It is if you want us to.  We’re your biggest fans.  We’d do anything for a hot babe like you.

DARIA
No thanks, guys.  I don’t think Peabody really deserves it.
(walks away)

GUY #1
(to guy #3)
Idiot.

GUY #3
What?

GUY #2
You scared her off, stupid.  How are any of us going to score with her when you don’t have any tact?

The two stoned guys from “Road Worrier” approach.

STONED GUY #1
Are you guys really stupid enough to think you have a chance of sleeping with Lola Winters?

GUY #2
What’s so stupid about that?

STONED GUY #2
Didn’t you notice the wedding ring?  Or the fact that between sets she lets her husband do anything he wants with her?  How many women do you know who’ll let their husbands put their hands in their clothes in public or what Rhonda said she saw them doing in the alley out back?  She’s so crazy about him that she’d never cheat on him.

GUY #1
Oh, come on!  Don’t you know about these show-business types?

STONED GUY #2
What about them?

GUY #3
They have insatiable sexual appetites.  One man can’t be enough for her.

STONED GUY #1
Fifty dollars says these guys will get beaten up by Clyde within the next three months.

STONED GUY #2
No bet, man.  I give it a 95% chance of happening.



INT. DARIA AND TRENT’S APARTMENT.

Enter Daria and Trent enter, turning on the light.  They put down their instruments.  Daria puts on her glasses.

DARIA
Trent, I had a close call today.  Angelina and Tatum jumped me in the restroom.

TRENT
Damn.

DARIA
The only reason they let me go is because my hair has blond roots.  They must have been expecting red.

TRENT
So we’re safe?

DARIA
For the moment.  Assuming that Todd and company don’t figure out my hair’s supposed to be this color.

TRENT
That’s a relief.
(beat)
Oh, I think I saw Monique in the audience wearing her “I don’t want to be noticed” outfit.

DARIA
Wait a moment.  What outfit is that?

TRENT
Back when I was in high school she dressed pretty much like you used to.  She still dresses like that sometimes.

DARIA
Do I see a pattern emerging?

TRENT
Well Monique and the rest of the Harpies are a lot like you.

DARIA
Even Cindy?

TRENT
Especially Cindy.

DARIA
I feel really flattered now.

TRENT
Hey, don’t put yourself down, Daria.  Cindy doesn’t care about people like you do.  She can do lots of bad stuff without feeling bad about it.  I’ve heard she was sleeping with that troll-like guy for money or something…

DARIA
(“let’s not go there”)
Trent, what was Monique doing in Nowheresville.

TRENT
I think she was talking to Clementine.

DARIA
Any idea why she was doing that?  You know her a lot better than I do.

TRENT
I wish I knew.  I guess we’re now going to have to find somewhere else to live.

DARIA
I’m not sure that’s a good idea.&nbs