The
Sound of Muzak
How
Music and Song Influenced My “Daria” Fanfic
Text ©2003 Roger E. Moore
(roger70129@aol.com)
Daria and associated
characters are ©2003 MTV Networks
Feedback (good, bad, indifferent,
just want to bother me, whatever) is appreciated. Please write to:
roger70129@aol.com
Synopsis: Music has more of an
influence on fanfic writing than is sometimes thought. Some examples of this
are given from this author’s own “Daria” works.
Author’s
Notes: Not
much has been said online about music and fanfic writing, as far as I can tell.
Perhaps this will spark a little thought or help people enjoy my stories
better. 8)
Acknowledgements: Thanks to all who produced
the music that inspired my writing!
Since
then, I’ve written a few other “Daria” fanfics, and looking back I am surprised
at how many of them were influenced by particular songs or musical works. The
“Daria” show itself made extensive used of background music by alternative
bands, and some fans of the series find the DVD versions of the show sadly
lacking because the music tracks were removed for public distribution, for
royalty reasons. “Daria” and music are thus joined in my mind, and for whatever
interest this topic has among fanfic authors and readers, this essay on music
and writing is offered. It is hoped that the reader will forgive me if I ramble
a bit. Music is a separate language, and I was never very good with languages
other than English.
Sometimes
music forms only a small part of a “Daria” story, a background element to a
particular scene. I don’t recommend certain songs be played during every scene,
as some fanfic writers do, but when it’s appropriate I mention it. For example,
Daria Morgendorffer and her father Jake listen to Mozart’s “Eine Kleine
Nachtmusik” during a father-daughter dinner in “A Midsummer Nightmare’s Daria.”
I was looking for something that a hotel restaurant would play on a special evening,
and Mozart came to mind, as I was a fan of the movie Amadeus. Daria, I
thought, would appreciate classical music as well as alternative rock.
Another
scene in “A Midsummer Nightmare’s Daria” uses the Rolling Stones’ “Gimme
Shelter,” which is especially good for this tale as Daria is mentally and
emotionally changed by a supernatural force to become angrier and more
aggressive, the constraints on her behavior suddenly removed. People around her
thus need to seek shelter from her rage. The connection with the documentary
movie of the disastrous Altamont concert (“Gimme Shelter”) is echoed as well. I
thought about using “Sympathy for the Devil” in that scene, but “Gimme Shelter”
worked better.
A
lyric from a Kid Rock song, “Fist of Rage,” arises in a scene between Daria and
Jane in “Nine-Eleven and Counting,” right before they discover news of the
attacks on New York and Washington, D.C. The lyric talks about the singer’s
negative view of the world and his struggle to get through it: “I see the future
and it’s looking grim / A lake of fire, looking like a long swim” described
exactly how I felt about life after 9/11, and I used it here to foreshadow what
was to come.
In
the angst story, “Winter in Hell,” Sandi Griffin reveals that she once took
piano lessons until she dumped them in favor of running the Fashion Club. In a
piano shop in a shopping mall, she sits down and plays a selection of pieces
that I took from various piano CDs. Neil Young’s “Old Man” was reflective of
Sandi’s trouble with her father, who has abandoned her, and of Quinn
Morgendorffer’s relationship with the neurotic Jake. The Beatles’ song,
“Yesterday,” was similarly linked to events in the story, and Sarah McLachlan’s
“I Will Remember You” echoes Sandi’s fears that her best (and probably only)
friend, Quinn, will soon head for college and leave Sandi to an uncertain and
lonely future.
The short, humorous script “Quinnisqatsi” has a musical soundtrack from the movie “Koyaanisqatsi,” though altered in a ludicrous way by Jeffy, Joey, and Jamie to